Buchla has announced Ziggy, a new, affordable analog synthesizer from the esteemed brand. With a new, unpatched instrument experience, Ziggy offers quick, gestural means of assigning modulation and composing music. Ziggy incorporates many of the Buchla innovations that have long been taken for granted: digital control over the analog audio, additive synthesis, unique and musical interactions, and the focus on making an instrument rather than a synthesizer.
Buchla Ziggy Analog Synth
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Ziggy modernizes and simplifies a familiar Buchla tradition: composing music in a style of synthesis often associated with the western coast of America. Like any musical instrument, it can be played on its own, crafting sequences and sounds from its unique arrangement of controls. It pairs very nicely with a portable keyboard like the Buchla LEM218, but It also plays with a large range of third-party devices and DAWs through MIDI, USB, and 1v/octave CV. Electronically, Ziggy’s oscillators and low-pass gate are purely analog. Digital control over these elements gives Ziggy the ability to save programs at the touch of a button and modulate in creative ways. A digital effects unit gives shape to the final sound, with a selection of reverbs, delays, distortions and more.
There are a number of unique ways to shape sounds internally and externally…
There are a number of unique ways to shape sounds internally and externally. The Cycler is an original modulation source that acts like the combination of a clock, envelope generator, LFO and random generator. With it, you can modulate pitch and timbre and/or trigger the gate envelopes. Other modulation sources include an extra slow LFO and external MIDI control. Rather than using patch cables, modulation is assigned with switch selection and dialed in with the encoder or its own associated sliders. The modulation oscillator acts as the primary modulation source at low frequency or audio rates to modulate the Complex Oscillator with AM or FM modulation, and is often blended as a second sound source. The Envelope for the Low Pass Gate (a combination amplifier/filter) can be shaped by selecting common envelopes and manipulated in time and amount, rather than attack, decay, sustain, release.
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Buchla Ziggy Features & Specs:
- Analog Complex and Modulation oscillators. The Modulation oscillator can operate at low frequency or audible rates. The shape is selectable from Sawtooth, Square, or Triangle.
- The Complex Oscillator’s initial shape is a sine wave. It can be frequency or amplitude modulated by the Modulation Oscillator, distorted by the Timbre wavefolder, and blended into a spike, square, or sawtooth wave.
- Create, Save, and Recall over 100 available factory and user presets.
- The low pass gate (LPG) operates as a VCA, Filter, or Both, with a Sallen Key filter architecture. Envelopes are blended shapes, rather than traditional ADSR, encouraging discovery, rather than precision.
- The Cycler modulator has a variety of shapes that can be mixed. The Cycler is easily assigned to parameters to create living, breathing, electronic music. Uncertainty can modify the Cycler as much or as little as you like, encouraging surprise. The XLFO is an extra LFO with a triangle shape, applicable anywhere.
- CV modulation, gate, and 1v/oct pitch make it easy to coordinate with eurorack synthesizers and the Buchla LEM 218 controller.
- MIDI control through USB-C, USB2.0, five pin DIN, and type A mini gives you complete control over playback and sound.
- External audio can be mixed into the LPG with a mono 3.5mm input jack.
- Creative tuning and quantization for western and non-western scales.
- Digital effects include reverb, delay, chorus, pitch shift and flanger variations. A wet/dry control and simple macro size parameter is also available.
- Stereo sound is accessed through 3.5mm headphone output and two 1/4″ jacks.
- Powered over USB-C
- A web browser with WebMIDI can be used to edit and archive patches as well as update firmware as we improve it.
With two analog oscillators, multiple modulators, a variety of tunings, envelopes, and wavefolding and shaping, there’s a variety of sounds to be made, including strange strings, wonderful drums, exotic leads, plucky percussions, and deeply felt basses…
