EastWest Announces Fab Four Virtual Instrument

EastWest has announced the Fab Four Virtual Instrument plug-in. This new release, which coincides with the 40th anniversary of the release of The Beatles “Sgt. Pepper’s Lonely Hearts Club Band,” is inspired by the sounds of the Beatles, using the same kind of period instruments and rare authentic EMI and other recording equipment the Beatles used to create their music, produced by Doug Rogers and engineered by Ken Scott.

The Fab Four Virtual Instrument project involved several people intimately affiliated with The Beatles. Engineer Ken Scott, who worked on Beatles albums including A Hard Days Night, Help, Rubber Soul, Magical Mystery Tour, and The Beatles, engineered the recordings. Guitarist Laurence Juber and drummer Denny Seiwell, both of whom were members of Paul McCartney and Wings, played the same kind of instruments as those used by the Beatles.

Well over one million dollars’ worth of rare period instruments — including authentic guitars, basses, drums, and keyboards — as well as amplifiers, microphones, recording consoles, outboard equipment and tape recorders were used in this production. Neumann, AKG, Cole and STC microphones as used at EMI/Abbey Road Studios were used to capture the sounds, while identical amplifiers, including a 1963 Voc AC30, 1967 Fender Showman and DeLuxe, 1963 Fender Bassman and Tan Showman, and 1966 Vox Defiant, 730 and 7120, were used with the electric guitars.

The same kind of recording desks and preamps, including a very rare EMI REDD tube desk, EMI TG12345 desk, and EMI REDD47 preamps, were used to record all instruments through Fairchild limiters and rare EMI RS124 modified Altec compressors, which were used for dynamics control. As with many of The Beatles’ recording sessions, a Studer J-37 4-track tube tape machine was used to record everything.

Guitars — played by Juber include a Gretsch Firebird (1959) and Tennessean (1963), Rickenbacker 360-12 (1965), Martin D-28 (1966), Fender Stratocaster (1956) and Telecaster (1951), Epiphone Casino (1965), and Gibson Les Paul Goldtop (1957), SG (1960) and J200 (1966). Juber also played Hofner (1963) and Rickenbacker (1964) basses, the same kind as Paul McCartney played on the Beatles’ recordings. Guitars were sampled with up and down strokes, multiple velocities and picking styles, some with chords and effects.

Drums played by Seiwell include a rare 1960 Ludwig downbeat kit with Zildjian cymbals (snare 5″ x 14″/toms 9″ x 13″ and 16″ x 16″/kick 22″ x 14″/Zildjian 20″ crash ride/18″ crash medium/14″ hi-hat). Additionally, drums were all multi-sampled with up to 16 velocity layers, left and right hand. The sounds were all matched to a particular style (e.g. “A Day in the Drums,” “Ticket to Drums,” “Yer Drums”). Even some heavily modulated cymbals, recorded through a Fairchild limiter for authenticity, were recorded as an alternative cymbal sound.

Keyboards include Baldwin Electric Harpsichord (“Because I’m a Harpsichord”), Clavioline (“Baby I’m a Clavioline”), “Madonna Piano” (Steinway B Piano/ADT), “Lucy in the Lowery,” “Strawberry Flutes,” “We Can Work a Harmonium,” and other stringed instruments including “Swarmandel Forever.”

Most of the sounds would be impossible to create without all of the above equipment. For example, the “revostortion” guitar sound was created by feeding an Epiphone Casino into one EMI REDD 47 preamp, and the output into a second EMI REDD 47 preamp, exactly as originally created by the EMI/Abbey Road engineers.

Fab Four Virtual Instrument also includes a software version of ADT (artificial double tracking) with built-in tape simulator, created and programmed specially for this project. All instruments are newly recorded multi-samples for this collection; no sounds came from any Beatles recordings.

The EastWest Fab Four Virtual Instrument will be available on June 1st for Windows (32 or 64-bit) and Mac OS X Universal Binary in VST, AU, RTAS and stand-alone formats and will cost $395 / €295.00. You can preorder now until May 31, 2007 and save 10%. More information on the EastWest Fab Four Virtual Instrument.

Author: FutureMusic

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