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Cheers:
+Build Quality +Overall Design +Sound Quality +User Interface +Battery Life +Limiter +Digital I/O +Pitch Control
Jeers:
-2GB File Size Limit -Memory Stick Only -No MP3 Recording
Off The Record:
"The PCM-D50 is a first-rate recorder that I wouldn't hesitate to recommend to users looking for a mid-level device."
--Dan Brotman
"The inability to record in the MP3 format is definitely a miss."
--Greg Geller
"Even with all the other solid features of the PCM-D50, the smart DSP Limiter is the unit's superpower."
--Neville Carrol
"The PCM-D50 looks, feels, and tastes like a quality portable controller. It also receives lot of admiration whenever
I pull it out to record in the field...Unlike my friend's Zoom H4. Whenever he takes that thing out of the case, everyone
backs off yelling 'Don't Tas' me Bro!'"
--Jack Nord
September 30, 2008
../ TestDrive: Sony PCM-D50 Digital Recorder
Before the market exploded with portable digital recorders, Sony fired the first
warning shot with their PCM-D1, an attractive and serious
hand-held recorder that was only hampered from total adoption by its expensive $2000 price point. Beyond the budget, and some would say reason,
of most users, Zoom, Roland, Olympus, M-Audio and others debuted their own digital recorders. They were quickly
snapped up by consumers, and a new market segment was born.
The little brother to Sony's PCM-D1 comes up BIG
Whether or not Sony was planning to debut a more budget minded recorder, or is
now responding to this vibrant sector, is unknown, however, the Japanese company recently launched the PCM-D50, an affordable 24-bit / 96-kHz
recorder with built-in condensor microphones and 4 GB of internal Flash memory. The PCM-D50 also features a Memory Stick Pro HG-Duo slot for
additional storage, S/PDIF digital I/O, high-speed USB 2.0 connectivity and standard AA battery power. However, what makes the PCM-D50 a standout
is the savvy and sophisticated technical features.
Although the external packaging is not going to give Apple nightmares, unboxing
the PCM-D50 was an impressive event due to the excellent build-quality of the unit. Its aluminum chassis feels solid and substantial in the hand,
and the large, orange LCD screen, beautifully complements the silver and grayish-blue coloring of the case. The two-position, built-in stereo,
electret condensor microphones can be positioned in a 90 degree X/Y setup or a 120 degree stereo split, and contains a metal protective "cage"
to prevent damage from accidental brushes with reality.
Features:
Built-in Electret Condenser Microphones
4GB Built-in Flash Memory
Low Noise Floor
Intuitive Interface
Simple Transfer of Audio Files to Computer
Digital I/O
Advanced Digital Limiter
Digital Pitch Control
High Pass Filter with Selectable Frequencies (150 Hz or 75 Hz)
The unit runs on AC juice, or convenient AA battery power, so you don't have to
worry about recharging options in the middle of the wilderness when your trying to capture the elusive mating call of the North American Caribou.
Just drop in a new set of batteries and you're good to go. Battery life is fantastic, so there's no need to stuff all your free pockets with 12 Packs
wherever you roam on your recording adventures.
Unfortunately, the PCM-D50 can only utilize Sony's proprietary, and spendy, Memory
Stick Pro HG-Duo (try saying that 5 times fast) or Memory Stick Pro Duo Flash memory cards up to 4GB. However, the recorder has a 2GB file
size limit, so you want to make sure to stop the recorder or hit "Divide" (more on this later) when the speaker takes a sip of water at that presentation
you're capturing. Speaking of which, one of our testers took the fiddy to an audio conference and was quite pleased at the "quality of the
recording" despite being way off to the side of the audience.
The rugged PCM-D50 puts all the necessary controls at your fingertips for easy access
For an affordable recorder, the Sony PCM-D50 has excellent input / output options
including the aforementioned S/PDIF I/O action in the form of Sony's TOSlink minijack optical cables, as well as a 1/8" TRS input jack and a headphone
minijack. Sony's audio specs on the PCM-D50 claim a frequency response of 20Hz to 40kHz with a signal to noise ratio rated at 93dB and a maximum input
level of 120dB. We found the higher end of the spectrum dropped off substantially when recording with the internal microphones and anything north of
110dB was pure distortion.
The interface on the PCM-D50's clear, orange LCD screen is all business with digital
peak bargraph metering, file name, time, recording resolution, feature, battery life and transport indicators. Nominal and peak level metering is also
available just above the display via LEDs. Navigation was very straightforward and more advanced users will never have to crack the manual for directions.
The manual controls are conveniently located on the sides of the unit, and if you're right handed, adjusting the record level is simply a matter of
rotating the dial with your thumb. Speaking of which, the recording level dial is protected from an unscheduled adjustment by a beefy metal shield
— adding a "rugged" aesthetic as well.
Sorting through recordings is a breeze thanks to a intuitive folder hierarchy that
allows you to store your recordings according to whatever categorization you desire. When it comes time to dump what you've captured from the PCM-D50
to your computer, simply attach the supplied USB cable and the unit shows up as a hard drive on both the Mac and PC. Transfer is quick and painless,
and no issues were encountered on either platform.
The Sony PCM-D50 was evaluated by five different users in a wide variety of applications
including recording a speaker at a conference, capturing nature and environmental sounds, recording a concert, conducting an interview, converting analog
and MiniDisc recordings, learning a complicated guitar riff, and recording musical ideas whenever inspiration came calling. Each one of the testers came
away with favorable impressions, and overall the PCM-D50 was highly-rated.
At the aforementioned conference, one tester sat in a variety of locations to capture the
speaker's surround sound presentation. Even with background noise, and unfavorable positions inside the auditorium, the PCM-D50 "performed amazingly well."
When reviewing the recording, the tester utilized the PCM-D50's real-time, Digital Pitch Control (DPC) which can adjust the playback speed between -75%
and +100%, but retains the pitch/tone of the original recording. This is often called Master Tempo, or Pitch Lock on CD turntables, or
time-expansion/compression on sampling devices. This feature allowed the tester to "easily transcribe quotes" by slowing down the audio speed.
This same attribute also provided a way for another evaluator to learn a difficult passage
in a guitar solo. "I was surprised how well the DPC worked. Not only did it effectively slow down the riff I was trying to learn, but the signal processing
was excellent and retained the original values of the notes."
"The PCM-D50's stereo image in the X/Y config was distinct and wide, adding dimension,"
revealed one tester who recorded a live concert. "Unfortunately, the omnidirectional essence of the mics...picked up a lot of ambient sound, which also
could be attributed to the condensor's extremely low noise floor." The "ergonomic nature of the PCM-D50 made hand-held recording second nature, and I was
able to ride the record level knob without a hitch." He summed it up by stating, "the PCM-D50 is a first-rate recorder that I wouldn't hesitate to recommend
to users looking for mid-level device."
Environmental recording applications worked admirely for a $500 unit that doesn't have a
dedicated pre-amp. Due to the low noise of the built-in mics, field recordings came out "detailed" and the stereo configuration provided a "more than
adequete 3D soundscape" for recording with "a fine depth." Users interested in field recording will be thrilled with Sony's proprietary Limiter. Described
as a "superpower" by one tester, the technology is borrowed from the PCM-D50's big brother and allows you to save recordings, which would otherwise "get burnt"
by suddenly hot inputs.
How does it work? Every time the PCM-D50 creates a recording, the DSP Limiter simultaneously
records a second mirror track at -20 db. This duplicate track is stored in a buffer as the recorder evaluates the levels in real time. Should a transient
peak overload occur, the backup audio is instantly normalized and inserted in place of the clipped signal. Although not perfect, it is seamless enough to
"salvage many once-in-a-lifetime recordings," and should "not be overlooked."
Want to digitize an analog recording or easily transfer digital recordings from a legacy
device like a MiniDisc? No problem! Simply attach the mini optical jack from the MiniDisc digital output to the Sony PCM-D50's digital input and you're
able to preserve the digital integrity of the original recording without going through needless conversions.
You can also use the PCM-D50 as a MP3 player. It's not a fully touted feature, but the
recorder will playback MP3 files, eliminating the need to carry a dedicated digital media player. Unfortunately, you cannot record audio in the MP3 format,
which one reviewer described as "a miss."
With the introduction of the PCM-D50, Sony reclaimed its rightful place on top of the
affordable portable digital recorder food chain. Each one of our testers came away impressed with the recorder, and that's quite a feat considering it
was evaluated in many different recording conditions. Although we would have liked to have the option to recording in the MP3 file format, this is only
a mild gripe. Kudos to Sony for delivering on the promise of a quality mid-range digital recorder — Highly recommended.
The Future: We'd love to see Sony add the ability to record in the MP3 format, as
well as add support for other memory card formats.
The Sony PCM-D50 retails for $599 and is available now. For more information on the
PCM-D50, check out Sony's website.
With the introduction of the PCM-D50, Sony reclaimed its rightful place on top of the affordable portable digital recorder food chain. Each one of our testers came
away impressed with the recorder, and that's quite a feat considering it was evaluated in many different recording conditions. Kudos to Sony for delivering on the promise
of a quality mid-range digital recorder — Highly recommended.