|
|
|
|
|
|
|
|
|
|
|
|
||||||||||||||||||
  |
|||||||||||||||||||
|
|
|
|
|
January 31, 2005 ../ 2005 NAMM ReportThe 2005 NAMM Show debuted dozens of new products, upgrades and innovations for electronic musicians. Many of the pre-show rumors and items on our wish list turned out to be true, while several companies completely surprised the industry with new product announcements that no one was expecting. Futuremusic will run down all the newsworthy innovations so you can feel like you were canvassing the Anaheim Convention Center in person.
> Access
Copyright © 2005 Futuremusic® All Rights Reserved. |
|
|
 As the name correctly implies, Experiments In Sound, is Futuremusic's latest endeavor for pushing electronic music technology to the very edge of what's possible. Experiments In Sound grew out of Futuremusic's avant-garde events in New York City that featured DJ's taking mixing and live sound reinforcement to a whole new level with the very latest gear and software. Be the first to hear about Experiments In Sound by joining Futuremusic Direct.
Part of Experiments In Sound, TestDrive will feature the lab results of our DJ Experiments so that everyone can get in on the action. Take the latest electronic music releases, mix vigorously with bleeding-edge DJ technology in a large beeker, and then cook the hell out of it! Be the first to hear about TestDrive by joining Futuremusic Direct.
Futuremusic wants to thank everyone who participated in The Next Big Thing 2004. John Digweed, Beatport, Alienware, M-Audio, Native Instruments, IK Multimedia, PVDJ, PK Graphics, Ableton, The DubHouse, Propellerheads, Technics, FreeFloat, The Church, PCDJ and every DJ who entered this year's event thank you. From the sheer number of quality mixes, we can tell you that dance music is thriving in the United States. The amount of outstanding talent and creativity really blew us away, and every DJ who's putting their heart, mind and soul behind the music is a winner. John Digweed has made his decision and the winner is...
News Archives |
|
|
|
|
|
|
|
|
|
|
|
|