Archive for the ‘The Future of Music’ Category

iConnectivity Announces iConnectMIDI For iPhone

Friday, February 5th, 2010

iConnectivity has announced iConnectMIDI a new iPhone to MIDI device. iConnectivity claims that you can simply plug your electronic instrument (synthesizer, guitar, whatever) into iConnectMIDI and you can play and control your music, using your iPhone or iPod, your instrument, or both at the same time.

iConnectMIDI can connect up to 16 devices in a chain, controlling all of them with an iPhone or iPod Touch. iConnectMIDI’s USB port allows you to plug a USB-enabled electronic instrument into your iPhone or iPod Touch. Put on some headphones, load up an appropriate sequencing app on your phone, and you have the perfect mini-studio for travelling.

The USB port also allows you to plug your instrument into a Mac or PC laptop via iConnectMIDI. Your iConnectMIDI device is compact and tough, roughly the half the size of a paperback novel. With its brushed metal casing it can take a beating on tour, and its rubberized feet keep it from sliding around on stage or on your desk.

The iPhone’s unique interface takes the music world’s standard electronic protocol, and brings it into the new millennium. A whole new world of MIDI controls have been opened. Instead of knobs and wheels, the iPhone’s touchscreen and accelerometer controls will change the may you make music.

The device is still in its infancy, but there’s a lot of dynamic possibilities. More information on iConnectivity.

What Will Apple’s iTablet Do For Music Production?

Wednesday, January 27th, 2010

As we all wait with bated breath for Apple’s Dog ‘n’ Pony show this afternoon that will finally unveil their new iTablet, we still have a few moments to reflect on this products potential impact on the future of music production. Now we’ve been ruminating on an Apple tablet for some time, but on the cusp of the announcement the big question around these parts is:

Will it become the ultimate Studio-To-Go or DJ-Rig-To-Go?

Only time can tell, but if the iTablet is going to run an enhanced version of the iPhone OS, then we’re hesitant to get really excited. True an iPhone on steroids is an interesting proposition, but if it lacks the horsepower to run Logic Express, Ableton, Traktor, etc. then the music community is going to feel like it has fallen short.

Now this may not necessarily be a bad thing. Reason? If the iTablet proves to be a hit, then Apple may consider expanding the line to include beefier processors and iTablet versions of Logic and their other popular software. An iTablet running Logic would definitely be one of the sexiest music rigs around and give the software a competitive advantage over Cubase, Digital Performer and the like…

Misa Digital Guitar Surfaces

Tuesday, January 19th, 2010

From Sydney, Australia comes the Misa Digital Guitar, an open source, Linux-based MIDI controller, that utilizes buttons for frets and a multi-touch screen for strumming and sound manipulation.*

Guitars by their very nature have limitations. To create sound you need to hit a string, so that the sound at its most intense point is always the beginning of the pluck. The left hand controls what notes to play, and the right hand controls when to play these notes and the intensity of the notes. Effects can be inserted into the signal chain, but they are usually foot pedals which makes the experience of controlling effects disjointed from what your hands are doing. Plus, you can only really make use of one pedal at a time. Even in the (rare) case that controls are mounted on the guitar, the hand needs to switch between strings and controls. This may be okay if you only use effects occasionally, but when every note you play needs the controls set differently – good luck with that.

Electronic music cannot be played effectively with such constraints. In electronic music, the timbre (or colour) of the sound can be morphed in an infinite number of ways. For a guitar to accommodate this, the right hand needs more control than just plucking strings. You need to be able to control elements of the sound, such as sustain, pitch, filter cutoffs, contour or any other synthesizer parameter, in a way that has no physical constraints.

This was my thought process when designing the Misa digital guitar. There are no strings on this instrument. The right hand doesn’t pluck strings, it controls sound.

*Never use the Misa Digital Guitar as a flotation device.

The Misa Digital Guitar is actually available for purchase, but details are pretty sketchy. More information on the Misa Digital Guitar.

Ableton, Serato Fumble Collaboration Announcement

Friday, January 15th, 2010

Poor Public Relations Effort Leads To Confusion, Disappoint & Poor Initial Reception for The Bridge

After months of hype from both Ableton and Serato, the day of reckoning came with a resounding “meh” from the Ableton community. Yesterday’s big unveiling culminated in a 417 word press release to the world and little else. While we can’t actually judge The Bridge without getting our meaty paws on the product, we can tell you that the PR campaign behind the announcement gets a failing grade.

The DJ/Live world was abuzz when news first floated into the ether about the hand-holding between these two innovative companies. What Jesus Product would be unleashed?? Full DJing inside Live? Live inside of Serato? A brand new hybrid product that would turn the industry upside down? Nothing was beyond possibilities…

As we commented yesterday, nothing that these two concerns debuted was going to make everyone happy, no matter how groundbreaking, but the underwhelming presentation of The Bridge to the world is directly responsible for the public’s initial poor response.

The public relations departments of both companies are solely to blame for not providing nearly enough information and concrete details about some of the intricacies of The Bridge. No tech specs, no set-up examples, and most importantly, no video of The Bridge in action. Instead what video we did get is basically a bunch of artists sitting around telling us how wonderful the product is… Now these cats must have used the product at some stage in its development (especially if they want to retain any credibility with their endorsement) so why not demonstrate what The Bridge can actually DO??

Instead we get a whole lot of nothing.

If Ableton and Serato are dismayed at the public’s initial response to The Bridge, they should have their marketing and public relations personnel take a good hard look at themselves and learn from this misstep.

The LinnDrum II Is Dead

Friday, July 10th, 2009

The LinnDrum II, a collaboration between Roger Linn of MPC fame and Dave Smith of analog synth renown, appears to be DEAD. The “MPC for the new millennium” – as some have described it – doesn’t seem to have enough juice, on several levels, to garner a viable release.

The LinnDrum II was initially touted as a new musical instrument for the real-time creation and improvisation of beat-oriented music, both in live performance and in the studio, but there just didn’t seem to be enough overlap of features for the two individual camps of fanboys – Linn VS. Smith – to find common ground with the endeavor.

Here’s what Linn had to say on his website yesterday:

“We’re still hard at work but regrettably won’t be able to meet our earlier estimate of a 3rd-quarter 2009 ship date. The recent changes in the economy have caused us to rethink our design, which had become too expensive. One problem is that Dave’s customers and my customers had different views of what the product should be, so we had been working on a more elaborate design that we thought would please them both. Then the economy tanked. Oops. The other issue is that Dave and his team have been having such success with their analog synths that they’ve been spreading themselves pretty thin trying to work on both projects.

So given these circumstances, we’d prefer not to state another release date estimate at this time, but when we do we promise to post it here along with any other information we’re able to release. Also, given that Dave and his team have their hands pretty full and that a beat-oriented product is more of a Roger product anyway, we’ll probably be selling it through Roger Linn Design instead of from both companies as we had previously considered.

I’d personally love to tell everybody all the details of the product design, features and price as we did with our initial designs of the product, but there’s that pesky problem of keeping the information from our competitors. So we need to keep tight-lipped for now and regrettably can’t answer any questions. Thanks also to those who have kindly asked to place advance orders. However, we don’t feel it’s right to accept orders until we are able to release the price or more information about the product.

And now I must get back to work. :)

Now you can gather from this communication that Smith bailed on the project. Whether or not Linn decides to release a MPC-like box in the future remains to be seen, but the original LinnDrum II concept is now officially dead.

Now we do know for fact that Roger Linn was contemplating creating a MPC product for the Hip-Hop crowd with a group of developers from the South, but then suddenly dropped them when Smith expressed interest in collaborating on a hybrid drum machine / synth box. Will Linn now decide to tackle that initiative now that the Southern Group has moved on with their own product??

We shall see…

Audi Designs A Piano – Baby Got Back!

Wednesday, July 8th, 2009

Since corporate-themed Choppers are way passe these days, Audi decided to partner with
piano maker Bosendorfer to construct a grand piano to celebrate Audi’s centennial. You know from some of our past articles about futuristic piano design, that we’re into this type of thing, but this is quite slick.

“Generous surface areas ensure formal clarity; there are no decorative applications, the edges and lines are sharply drawn, the joints logically positioned. All these are important aspects of the Audi design,” says Designer Philip Schlesinger, who implemented the project at the Concept Design Studio in Munich.

The Audio piano will premier at the July 16th Audi Forum in Ingolstadt, Germany.

You too can tickle the keys of the Audi Piano for a paltry $140,000, washer fluid is included.

Waves Audio Announces Rental Plan

Wednesday, July 8th, 2009

Waves Audio, the KGB of digital signal processing software, has announced the Waves Rental Plan, a new way to access selected Waves bundles on a short-term basis. (But what about the dreaded Late Fees?? —Ed.)

With the Waves Rental Plan, users can now rent selected Waves bundles for the week, for the month, or for however long their project takes. Customers can visit the Waves online store or contact their local dealer to rent Waves bundles immediately. Dealers must log into the Waves VSSD, select “Rentals” and choose the appropriate bundle.

Gilad Keren, Mastermind of Waves Ltd, states, “Through our new rental program, we are now able to provide selected Waves bundles, at a reduced cost and increased convenience, to studios or touring companies that may have a client that needs Waves tools for a singular track or short-term project.”

The concept is actually an excellent idea and we’ll see other companies follow suit.

More information on the Waves Rental Plan.

France Passes “3 Strikes” Illegal Downloading Law

Friday, May 15th, 2009

France’s “three strikes” illegal downloading law passed the French Senate earlier this week. The contentious law will give downloaders of copyrighted works two warnings before cutting off their Internet service for a year.

The law sets up a special government anti-piracy agency who will police the net with Web Sheriffs, dubbed Internauts. Though the new law still faces a court battle and may rub against current European legislation, the government plans to have the agency up and running by next year.

Vivace Multi-Touch Portable Music Studio Concept

Wednesday, April 22nd, 2009

The idea of a dedicated portable, all-in-one music production computer piqued our interest ever since the touchscreen tablet computer debuted. The concept only heated up with every subsequent rumor of a MacBook Tablet that hit our desks during the last couple of years.

Now designers Young-Shin Lee and Hae-Jin Jung have taken the concept to the next level by developing the Vivace multi-touch portable music studio. The Vivace has an extended clamshell multi-touch-touchscreen design, which contains everything you need to play, record and edit your compositions on the fly.

The Vivace’s screen morphs into whatever feature you need for the moment including a keyboard, sound editor or sequencer. Lee and Jung also highlight the ability to easily browse samples and loops, manipulate an equalizer, tweak a filter and more.

The Vivace concept is more a matter of when, than if…

NIN Readies iPhone / iPod Touch Music Community App

Wednesday, April 8th, 2009

Trent Reznor and co-conspirator Rob Sheffield have developed a dedicated NIN app for the iPhone and iPod touch.

Like the rest of his savvy online ventures, Reznor has come strong with a slick and sophisticated application that looks to set the high-water-mark for mobile applications for musicians.
The app seamlessly combines online community, streaming music from NIN and various NIN remixers, custom playlists, Twitter-like social messengering with geo-tagging, NIN authorized and fan-submitted images and media from NIN concerts and events and more.

Reznor then sends out his obligatory diss of Steve Gottlieb, former President of TVT Records, and any other studio executive: “anyone who’s an executive at a record label does not understand what the internet is, how it works, how people use it, how fans and consumers interact – no idea.”

The NIN iPhone app will be available for free in the near future.