Archive for the ‘Music Technology’ Category

SONiVOX Unleashes The Vocalizer

Thursday, September 2nd, 2010

SONiVOX is hyping their new Vocal Production Synthesizer, a new product from their Nemesynth Audio Research Group. SONiVOX claims the Vocalizer is a completely new concept in modern music production that couples a new synthesis engine with an open input based architecture. Vocalizer is one part effect plug-in and one part virtual instrument. Vocalists, non-vocalists and producers feed Vocalizer any audio source, and it re-pitches, effects, and re-synthesizes the original source into a whole new sound.

Sonivox Vocalizer

Primarily designed for vocal use, vocalists will enjoy the vast options afforded by Vocalizer to add previously unattainable dimensions to their voice. Inversely, non-vocalists will enjoy the opportunity to use their voices in musical ways that they previously thought impossible.

Vocalizer also works well with other types of inputs. Drum and percussion tracks fed through Vocalizer result in complex synth lines that perfectly sync to the original dry drum and percussion parts. Other input sounds afford a powerful and flexible new approach to sound design.

The Vocalizer marks the first release from SONiVOX’s Nemesynth Audio Research Group. Spearheaded by Jim Van Buskirk, inventor of the virtual instrument, modern computer driven sampling, and real-time low-latency convolution, SONiVOX’s NEMESYNTH Audio Research Group’s sole purpose is to discover, research and develop revolutionary new enabling technologies for musicians everywhere.

SONiVOX’s Vocalizer for Mac and PC comes in the VST, AU, and RTAS plug-in flavors and costs $150 when it’s released on October 1st. More information on SONiVOX Vocalizer.

Laurie Nicoll Unveils SHamp – New Onboard Acoustic Guitar Amp

Monday, August 23rd, 2010

Laurie Nicoll has unveiled the SHamp, an onboard, compact amplifier that fits into the sound hole of your acoustic guitar to boost the volume. Easily installed, a cable connects SHamp to your pickup jack to give your acoustic music “punch” that is missing in acoustic environments. SHamp produces enough power to give your performance the presence it deserves.

SHamp Information

No modification to the guitar is required. It will fit most circular sound holes 96mm (3¾”) – 102mm (4“) in most guitars and weighs only 250g (8 oz). However, the fitted guitar must contain a bridge type pickup, with or without a pre-amp. SHamp has built in pre-amp /by pass modes and can be used in either mode.

SHamp Information

SHamp features a specially-designed speaker and 4 watt amplifier that fits neatly into the sound hole. SHamp is powered by a strap/belt mounted 18 volt battery pack that is attached to SHamp via the SHamp input. You’ll get up to 6 hours of continuous playing on a single set of good quality alkaline batteries.

SHamp does not interfere with your guitar’s natural sound. It’s designed to let the sound flow around the speaker.

Features:
» On/Off switch
» 75mm (3 inch) speaker
» 4 watt amplifier
» Volume/EQ controls
» 18v battery pack
» Weight 250g (8oz)
» Depth 90 mm (3½ inches), Diameter 95mm (3¾ inches)

The SHamp costs A$299 and is available now. More information on the SHamp.

Whetstone Unveils Cavidesk – New Audio Desk Series

Wednesday, August 18th, 2010

Whetstone Industries has unveiled a new audio/video modular production desk, dubbed Cavidesk, which stands for Computer-Audio-Video-Integrated Desk. Following three years of development and testing, the desk features a large, integrated trough to clandestinely hide power and a/v cables.

Cavidesk

Designed as a modular workstation for computer intensive video, audio and control systems, the desks feature powder coated solid aluminum extrusions, laser cut steel and CNC routed MDF work surfaces. The concealed trough can be accessed either under the desk or by removing an 11” wide desktop section. Optional 19” equipment racks can be placed anywhere on the desktop. Wiring can be fully hidden and integrated into the trough.

Cavidesk Trough

The Future: The trough is an innovative concept that make the desks attractive to potential anti-clutter production professionals, but this is a persuasive idea that should find its way into the next generation of A/V desks.

Cavidesk’s start at $700 for the 40″ wide desk and work their way upwards quickly. More information on Cavidesk.

Native Instruments Officially Announces Traktor Kontrol S4 – Won’t Be In Your Xmas Stocking

Monday, August 16th, 2010

Native Instruments has officially announced the Traktor Kontrol S4, an integrated hardware/software DJ system. Traktor Kontrol S4 combines a special version of the Traktor PRO software with an advanced hardware controller, both developed in unison.

Traktor Kontrol S4

Traktor Kontrol S4 represents a new level of software and hardware integration that makes DJing more versatile, more intuitive and more fun. The full-featured controller combines a four-channel mixer section with ergonomically laid-out high-quality control elements and an integrated audio interface. All relevant functions including looping, cueing, effects control and track browsing are immediately accessible on the robust and portable hardware, while dynamic multi-color backlighting, LED status displays and comprehensive level metering allow DJs to focus on their performance rather than on the computer screen.

The included Traktor Kontrol S4 software offers the full feature set of Traktor PRO, further expanded through new performance functions and an optimized user interface. Two flexible Sample Decks can add up to eight simultaneous one-shot samples or beat-synced loops to the mix, opening up creative remixing and mash-up possibilities that go far beyond conventional DJing techniques. The unique Loop Recorder also allows DJs to capture and overdub audio loops from the live mix, cue signal or an external input on the fly, and drop them back into the mix at any time.

The dual touch-sensitive jog wheels on the Kontrol S4 hardware offer precise and responsive deck control due to a new patent pending electromagnetic technology, complemented through Native Instruments’ high resolution NHL protocol that provides additional performance over conventional MIDI. The integrated low-latency 24bit/96kHz audio interface is based on the Audio 4 DJ, and provides quality signal quality to match the most high profile club systems. External time-code control via turntables and CD decks will be enabled through a future software upgrade. To accommodate touring DJs, a professional flightcase that doubles as an adjustable performance stand will also be available as an accessory for Traktor Kontrol S4.

NI employed the über-talented DJ Shiftee to demonstrate the new S4 and its marquee features. His scratching on the mini jog wheels looks pretty Mickey Mouse, and we don’t know who is teaching him those new “dance moves,” but he really does Native right by deftly showing off the Live Remixing potential of NI’s new system…and maybe gives a glimpse of how he intends to defend his DMC World Championship.

NI’s Traktor Kontrol S4 will be available this winter for $999 / €899. The Traktor Kontrol Case will be available at the same time for $189 / €169. More information on Native Instruments Traktor Kontrol S4.

Acoustical Surfaces Announces Acoustic Geometry Sound Treatment Line

Thursday, August 12th, 2010

Acoustical Surfaces has announced Acoustic Geometry, a new line of sound treatment products. Their first new product group is called The Curve System, an affordable line with the project studio in mind.

Diffusors

Acoustical Surfaces claims the Curve System of Diffusors, Absorbers, and Corner Traps simplifies the creation of natural-sounding professionally–accurate acoustic spaces.

The core of The Curve System is their Diffusor, an improved version of the classic polycylindrical designs used in recording, broadcast, and film studios since the 1930’s to minimize flat–surface reflection problems by broadly and evenly scattering sound energy. The Curve Diffusor also acts as a diaphragmatic mid–bass absorber and includes a built–in mass–loaded vinyl (MLV) membrane low–bass trap. It solves the two biggest acoustical issues — diffusing mid–to–high frequencies and controlling low frequencies.

Three stock Diffusor widths integrate perfectly with two matching models, the Curve Absorber (mid-to-high frequency absorption) and the Curve Corner Trap (a Curve Diffusor with an additional corner bass trap). The right combination and placement of Curve System components will optimize your acoustic spaces.

More information on the Acoustical Surfaces Acoustic Geometry products.

HiVi Introduces T200B Multimedia Near Field Monitors

Friday, August 6th, 2010

HiVi has recently introduced the T200B, a professional monitor electro-acoustical design for multimedia applications. T200B can either be a near-field monitor solution or upgrade your computer’s sound.

HiVi T200B

The T200B is an active 2.0 system design housed in a dynamic and forward-design enclosure. The full functioning LCD remote controller can control each speaker independently. Each speaker is shipped with a documented frequency response curve showcasing the matched pair. Frequency response is rated at 20Hz-20kHz with a signal to noise ratio of 88dB.

The T200B combines a triangular enclosure design with black piano lacquer and silver aluminum panel. T200B adopts HiVi 5” long excursion woofer and 28mm soft dome tweeter. The woofer and tweeter are positioned in a delta arrangement which minimizes the radiation area and claims to reduce the diffraction of sound waves. The sloping panel design causes the high and low frequency to reach the listener simultaneously in the near sound field. The asymmetrical enclosure structure reduces internal standing sound waves and minimizes cabinet resonance.

Featuring a full functioning LCD remote controller with intelligent microprocessor digital volume control, dual channel 40Wx2 RMS power output, and XLR balanced input. The T200B frequency response is 55Hz-20kHz (+2.5 dB, -6dB, free space), and capable of producing 100dB SPL sound output level with wider horizontal dispersion.

HiVi’s T200B’s are available now for $749. More information on the HiVi T200B.

Rodrigo Debuts New Multitouch DJ Controller

Monday, August 2nd, 2010

Rodrigo, a DJ/Developer from Chile, has debuted the following video demonstrating Pablo Martin’s Emulator software performing over a projected multitouch screen, dubbed Töken.

Pablo Martin, an original FinalScratch user, was legendary for whining on the old FS forums about how clunky the interface was and how he could program a better one himself. Most member just rolled their eyes, but now he’s getting the last laugh…

Remember when we said a couple of years ago that a serious manufacturer should snap up Scott Hobbs? Well…

More information on Pablo Martin.

Apple Debuts 12-Core Mac Pro

Tuesday, July 27th, 2010

Apple has announced a new Mac Pro line with up to 12 processing cores and up to 50 percent greater performance than the previous generation. Featuring the latest quad-core and 6-core Intel Xeon processors, all-new ATI graphics and the option for up to four 512GB solid state drives (SSD), the new Mac Pro looks to be the new go-to box for audio professionals who utilize the OS X platform.

At the heart of the new Mac Pro’s performance are next generation quad-core and 6-core Intel Xeon processors running at speeds up to 3.33 GHz. These multi-core processors use a single die design so each core can share up to 12MB L3 cache to improve efficiency while increasing processing speed. These systems feature an integrated memory controller for faster memory bandwidth and reduced memory latency; Turbo Boost to dynamically boost processor speeds up to 3.6 GHz; and Hyper-Threading to create up to 24 virtual cores. The Mac Pro now comes with the ATI Radeon HD 5770 graphics processor with 1GB of memory and customers can configure-to-order the even faster ATI Radeon HD 5870 with 1GB of memory.

For the first time, Mac Pro customers have the option to order a 512GB SSD. With the ability to install up to four SSD drives in the system’s internal drive bays, the new Mac Pro can provide ultra high-speed disk bandwidth and random disk performance, two times faster than the average performance of a standard disk drive. Mac Pro also now features two Mini DisplayPorts and one dual-link DVI port. The additional Mini DisplayPort output allows customers to connect two LED Cinema Displays without an additional graphics card or adapter and the dual-link DVI port supports legacy DVI-based displays up to a resolution of 2560 x 1600 pixels.

The new Mac Pro will be available in August. More information on the Apple Mac Pro.

Keith McMillen Instruments Releases StringPort

Monday, June 28th, 2010

Keith McMillen Instruments has released StringPort, a utility that processes, converts and conveys to the computer the polyphonic audio from industry-standard hexaphonic pickups (like the GK, Graph Tek, Zeta and RMC models) through high speed USB 2.0. McMillen has written custom drivers with extremely low latencies and take full advantage of multi-threading and multiple cores. High resolution (24bit) converters and impeccable design provide greater than 92 dB SNR from analog in to analog out.

“In the last 31 years I have developed and delivered almost a dozen different polyphonic processors and synth interfaces, from analog pitch/voltage converters to fret scanning guitars. Every project left me wanting better accuracy, faster response with more control and a deeper integration with other computer applications. It is not until StringPort, the first computer platform for guitar, that I can deliver on all fronts,” reveals Keith McMillen.

But what really makes StringPort the last string/synth/processor device we will ever need is the powerful suite of software for use with the StringPort Hardware. The suite includes 24 applications including fast and accurate Analysis (for converting every little nuance of your performance into control data), powerful Polyphonic FX Processing (Wave Guide, PolyFuzz, Phase Vocoder, SMACK), a versatile VST FX Wall (perfect for all those plug-ins you’ve been “collecting”), a side of Synthesis (Classic FM and direct support for the world-famous Synful synthesizer), a friendly and useful Notation application (to capture data for output to your favorite music notation software), and MIDI Out to integrate StringPort into your existing MIDI world.

StringPort currently works for guitar only. However, McMillen states that versions for violin and viola, cello, bass guitar, and upright bass are in development.

Keith McMillen Instruments’ StringPort hardware and software suite on sale for $795 (reg. $995) plus free software updates for 1 year. More information on Keith McMillen Instruments StringPort.

Liine Sneaks Griid – Ableton Live Controller App

Wednesday, June 23rd, 2010

Liine have announced Griid, a new Ableton Live controller app for the iPad that they have developed with Richie Hawtin.

Details are sketchy at this time, but Liine claims that Griid is “an advanced clip grid interface, offering you all you could want from a touchscreen clip launcher and more, with an unprecedented smoothness of execution and a truly playable interface. Griid will offer a fully-integrated experience with a heavy focus on performance and allowing fast, efficient navigation of large sets.”

Hawtin is currently field-testing the Griid during his Plastikman performances this summer (see Sonár sound check below), and will no doubt be the key catalyst for widespread adoption, if the product can truly deliver.

More information on the Liine Griid.