Archive for February, 2010

Crysonic Updates Sindo Stereo Image Widener To Version 3.5

Thursday, February 25th, 2010

Crysonic has updated Sindo to version 3.5. The latest version of Sindo is Crysonics third Generation Professional stereo image Expander (widener) / Narrowing Audio plug-in Processor. Version 3.5 introduces new features such as customizable UI interface colors and an industry first Stereo image compression feature — this is not to be confused with audio level compression however it is a proprietary stereo field width compression system developed by crysonic which is fully automated and working at zero latency allowing the user to attain maximum stereo width and retain mono compatibility with minimal side effects.

Another important and proprietary tool made available with Sindo is the multi-band Stereo Dynamics section with smoothing, which further adds better stereo presence and definition without coloring the sound. Low frequency stereo separation can also be separately targeted with adjustable cut-off frequencies and width amounts together with the ability to preview. Sindo 3.5 features a unique stereo field display showing information regarding stereo phase coherence/ correlation and compression amounts for both Left and Right Channels when active. These and many other enhancements are now part of Sindo V3.

Sindo 3.5 offers a uniquely powerful stereo toolkit for digital editing, mastering and tracking for all stereo audio material. Sindo allows to dramatically broaden and ’sweeten’ the spaciousness of the stereo image whilst retaining mono compatibility and not affecting the tonal character of the original sound. The Global and individually adjustable frequency Rotations can be used to Pan the center stereo image without altering the mix level balance.

Designed for efficiency Sindo 3.5 comprises of an intuitive user interface with full automation of all parameters and new enhancements such as the ability to double click on any dial to set it to default. The fatiguing ‘phasiness’ found in other processors of this type has been avoided by adhering to established audio engineering principals. Two Phase-compensated Hi and Low Shufflers are also included to further enhance and improve the spaciousness without introducing unwanted artifacts.

Crysonic’s Sindo 3.5 costs $129 and comes in the Native Universal Binary AU, VST flavor for Mac and VST for PC users. There’s a New Release Special for $50.95 until the 4th of March 2010, regular price $129 All previous Crysonic customers can purchase Sindo for $31.95. More information on Crysonic Sindo 3.5.

Image-Line Releases Drumaxx – Percussion Synth Modeler

Thursday, February 25th, 2010

Image-Line has released Drumaxx, a percussion modeling instrument that gives the user control over 16 physically modeled drum pads that can be routed to independent outputs for external effects processing.

Drumaxx is not based on samples or even commonly used synthesis techniques, where oscillators are mixed and the result is always electronic. Drumaxx uses modeling algorithms to create bass drums, hi-hats, snares, realistic and electronic sounds too. But what about the traditional Achilles’heel’ of synthesis, cymbals? Drumaxx creates cymbals and metallic percussion also.

At the core of Drumaxx is a model where the vibrating membrane is represented as a mesh of interconnected points. Each point is given physical properties including mass, inertia, stiffness, damping, and all that good physics stuff. For the musician, this means Drumaxx gives you control over multiple parameters such as material, thickness, tension and shape. More importantly, the parameters can be modulated in real-time as a function of velocity or external controls. The drum body is also under user control too, including body material, size, vibration damping, and shape. All this gives you multi-dimensional performance options, a Matrix of variables providing nearly infinite possibilities.

Features:
» 16 Physically modeled drum pads
» Multi-output for individual effects processing on each pad
» Huge range of modeling possibilities covering sounds from cymbals to kettle-drums
» Velocity modulation matrix for detailed expressiveness
» Integrated Step sequencer with trigger-key playback
» Integrated effects
» Single-pad version ‘Drumpad’ available for tight integration with FL Studio

Image-Line is launching Drumaxx with the pay what you think it’s worth system. Until the 31st of March you can pay a minimum of $13 / €9 to cover our costs. Image-Line will donate $1 from each sale to support Haiti earthquake victims. Sounds like a Win-Win to us!! More information on Image-Line Drumaxx.

Waves Releases Vocal Rider

Monday, February 22nd, 2010

Waves Audio has released Vocal Rider, a plug-in that automatically “rides” the levels of vocal tracks. Instead of manually riding a console fader, or tediously drawing in every level change on a DAW track, Vocal Rider does it automatically, making it a true timesaver.

First, the user sets the target range of the vocal level in relation to the rest of the mix. Vocal Rider then compensates for all deviations from the target, intelligently raising or lowering the vocal volume, instantly. Unlike compression, Vocal Rider adds absolutely no additional coloring to the track. The new Vocal Rider Live component includes an exclusive Spill control to differentiate the vocal from background instrumentation and noise, for better tracking and performance.

Features:
» Allows users to keep steady vocal and dialog levels automatically.
» Saves time by automating the vocal riding part of the mixing process.
» Writes the automatic riding to an automation track for fine tuning.
» Real-time means no latency and no pre-scan needed.
» Up to 24-bit 96kHz resolution.
» Supports TDM, RTAS, Audio Suite, VST, AU.
» Windows 7 and Mac OS X compatible.

Controls:
» Target sets the reference range for vocal mix positioning.
» Vocal Sensitivity differentiates vocal content from noise floor and ambience.
» Vocal Activity LED indicates when vocal activity is detected.
» Attack sets the vocal detection attack behavior.
» Music Sensitivity determines the amount Vocal Rider adapts to instrumental levels.
» Music Sensitivity LED indicates Vocal Riders response to instrumental levels.
» Range Min/Max set the boundaries of the Rider Fader movement range.
» Effective Range displays the total gain range available for automatic riding.
» Idle Arrow sets the Rider Fader value when there is no vocal activity.
» Rider Fader is Vocal Riders automatic control.
» Automation Mode controls the Rider Fader operation.
» Output trims the vocal output gain, post-auto riding.
» Clip LED shows when output is clipping.

Waves Vocal Rider costs $400 beans for the Native version and a whopping $800 bills for the TDM. More information on Waves Vocal Rider.

Allen & Heath Hypes New DJ Gear For MusikMesse

Monday, February 22nd, 2010

Allen & Heath has announced a couple of new Xone products that they will officially unveil at MusikMesse, the Xone:PB and the Xone:XD40 headphones.

The new club installation product, the Xone:PB, is a 1U rack size, passive interface box, designed to simplify the task of connecting encoded vinyl replay systems to installed mixers, without the need to re-patch.

Allen & Heath claims the Xone:XD40 headphones offer excellent audio fidelity in a comfortable, lightweight and compact format, and their closed cup design provides good isolation from ambient noise, and minimal bleed. The Xone:XD40’s have 40mm neodymium drivers, a 15Hz – 28kHz frequency response, can handle up to 1.3W of power, and at just over 200g, are lightweight for extended use.

No pricing or availability is available at this time.

Arturia Updates Jupiter-8V To Version 2.0

Friday, February 19th, 2010

Arturia has updated their Roland Jupiter emulation to version 2.0. The Jupiter-8V has been enhanced with a preset navigation system called SoundMap, the ability to use NRPN midi messages for automation. the presets now respond to modulation wheel, and there’s some new sounds. Not really much to jump up and down about, but what do you want for nothing…

More information on the Arturia Jupiter-8V.

Sequentix Announces Cirklon Hardware Sequencer

Friday, February 19th, 2010

Don’t know exactly why Sequentix Music has decided to develop a dedicated hardware sequencer for 1000 quid, but they recently announced that they are updated their P3 dealio. The new unit, dubbed the Cirklon, is a totally new hardware sequencer design, with software based on the P3, but greatly improved both in usability and internal operation.

The user-interface is based around a 240×64 pixel graphic LED display, 19 rotary encoders with push-switches, 2 assignable knobs, 35 high-quality Cherry keys with integrated LEDs, and a further 35 tri-colour status LEDs. Cirklon has 16 tracks, with 5 independent MIDI INs and OUTs to connect a large number of controllers and synths/sound modules while keeping MIDI latency to a minimum. There will also be USB MIDI, native CV/gate support, and a dedicated DIN sync output. You can watch the video below, but it’s not very exciting, nor shows off the Cirklon’s mojo…

The 32-bit, 72MHz ARM Cortex CPU runs a proprietary sequencer engine to ensure optimum timing accuracy. All MIDI ports are provided by hardware serial ports in the CPU core itself. The CV/gate connectivity will be available in two levels – a pair of 12-bit resolution CV and gate outputs, or an external CV breakout box with a large number of CV outs (details to be finalized). Pattern storage is comprised of 2MB battery-backed internal RAM and 512MB internal NAND flash, with a SD/MMC card socket for data backup.

Sequentix claims the Cirklon will go into production when they get around to finalizing the design of the production enclosure with shipping in low volume to begin sometime at the end of March…or April…or May…

de la Mancha Releases Bassbomb For Windows

Thursday, February 18th, 2010

The nutters at de la Mancha have released Bassbomb, a monophonic, bass synthesizer focused on creating a wide range of bass sounds that they describe as: punchy, chunky, squelchy and fat with a sprinkling of dirt on top. It does everything from dubstep wobble, electro house dirt, funky bounce, breakbeat dirt, hiphop boom, acid squelch and more besides. As well as bass lines it’s also happy banging out kick drums and bass drops, with a pure sine sub osc to really nail that low end.

Bassbomb features custom waveforms, a composite filter and non-linear envelopes to give that old school synth sound, with 2 LFOs and 3 envelopes to really make stuff move around. Unison, oscillator sync, ring modulation and dirt all add to the flavour and a tempo-sync arpeggiator is the cherry on top.

de la Mancha’s Bassbomb is available now for $24 bucks as a Windows VST plug-in. More information on de la Mancha Bassbomb.

Korg DS-10 Plus Now Available For Nintendo DS/DSi

Tuesday, February 16th, 2010

Xseed has announced that the Korg DS-10 Plus, developed by Cavia in conjunction with Procyon Studio is now available with improved performance that leverages the supercharged specifications of the Nintendo DSi.

Designed after the Korg MS-10 music synthesizer, the Korg DS-10 Plus is a revamped version of the portable music-creation program. An assortment of new features for Korg DS-10 Plus for the DS/DSi versions include per-track MUTE/SOLO built into the SONG mode, and EDIT/PLAY enabled for all modes within the SONG mode for further improved real-time performance. A 6-track/16-step sequencer enables precise control and provides a wide range of musical possibilities and up to eight units can be linked via wireless connection to play together or to exchange sounds and songs.

Additionally, Nintendo DSi owners can enjoy additional exclusive improvements and upgrades, including 12-voice polyphony, 4 tracks for the analog synthesizer simulator, 2 drum machines and more. Also, two effects layers are available exclusively for the DSi, essentially giving users the functionality of two original Korg DS-10.

The Korg DS-10 Plus is now available for the Nintendo DS/DSi for $29.99. More information on the Korg DS-10 Plus.

Korg Announces Sound On Sound Recorder

Wednesday, February 10th, 2010

Korg has announced the Sound On Sound (SOS) Unlimited Track Recorder, which enables musicians to capture and develop musical ideas as they happen, wherever they are. Battery-powered and completely self-contained, the SOS contains a high-quality stereo microphone and a built-in speaker for all-in-one recording and monitoring.

Unlike other portable recorders (even multitrack), the SOS allows for an infinite number of overdubs or alternate takes to be recorded. Each track, take, or overdub is recorded as an individual CD-quality 16-bit/44.1kHz WAV file, and saved directly to a microSD or microSDHC card. Accurate BWF (Broadcast Wave Format) timing information is embedded in each track, meaning all tracks will automatically line up when imported into a computer-based DAW system for further editing, mixdown, and final playback. The SOS can record up to 200 songs in the traditional linear manner, or be set to loop a specific section. Memory consumption is roughly 100 recorded minutes per GB (gigabyte).

Features:
» Realtime control using the LCD touchscreen
» 100 effect programs derived from Korg’s REMS modeling technology
» Built-in Guitar, Bass, and Chromatic tuners
» Fifty internal rhythm patterns (with four variations each), providing a solid, steady beat
» Sound Stretch function that can alter the playback speed without affecting the pitch, for practice and study applications
» Backlit touchscreen display that offers extreme ease of use
Unlimited Undo function
» Free software provides basic audio editing and easy CD burning
» Compact design that allows tabletop or handheld operation
» Internal microphone
» 1/4″ balanced instrument input
» 1/8″ mic input
» 1/8″ stereo line input
» Stereo headphone output

The Korg Sound On Sound (SOS) recorder will be available sometime in April 2010 for $399. More information on the Korg Sound On Sound recorder.

Synapse Audio Software Releases EKS-9 Kick Drum Synthesizer

Monday, February 8th, 2010

Synapse Audio Software have released the EKS-9 Kick Drum Synthesizer. The VST and AudioUnit plug-in for both Mac and PC is dedicated to the synthesis of electronic bass drum sounds reminiscent of vintage hardware, while adding plenty of additional controls to expand the sonic possibilities.

Synapse Audio Software’s EKS-9 is available now for $39 in the VST and AudioUnit plug-in flavors for both Windows and Mac OS X. The OS X version is a universal binary and thus functions with Intel-based Macs as well as with older PPC-based machines. More information on the Synapse Audio Software EKS-9.