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Archive for December, 2008
Happy New Year!
Wednesday, December 31st, 2008Y2K9 Software Bug Disables Microsoft Zune 30GB Models
Wednesday, December 31st, 2008Microsoft Working On Patch
Owners of Microsoft’s 30GB Zune digital music player had a rude awakening today. When the system date hit December 30, 2009, thousands of players suddenly stopped working. Dubbed a Y2K9 Zune Bug by enthusiasts, several owners noted that shortly after midnight, their Zune’s went “toe-up” and wouldn’t boot. Microsoft is aware of the problem and buried the following statement on their zune.com site.
Customers with 30gb Zune devices may experience issues when booting their Zune hardware. We’re aware of the problem and are working to correct it. The Zune Social might be slow or inaccessible. Sorry for the inconvenience, and thanks for your patience!
Why the exclamation point at the end of their statement? All cheery-like?? As if that’s going to make owners of their DOA 30GB Zune feel any better… “Hey, your Zune took a dirt nap, ain’t life grand?!!”
Even Harmonic Releases Gtak Guitar To MIDI To Kontakt Middleware
Wednesday, December 31st, 2008Even Harmonic has released Gtak, a new tool for MIDI Guitar musicians that makes it easy to use Native Instruments Kontakt 3 with Guitar to MIDI converters.
Even Harmonic claims Gtak makes it easy to use Kontakt3 with a Guitar to MIDI converter. It comes preloaded into copies of 1079 instruments from the Kontakt3 library and can also be loaded it into any other Kontakt3 instrument.
Gtak makes Kontakt3 instruments understand all the pitchbend information that Guitar to MIDI converters send, so there is no need to load six copies of the same instrument. Changing sounds takes one click. You are free to load many different instruments and play them using Gtak’s built in string and fret split functions, or switch between them using Gtak’s pedal control functions.
The supplied Kontakt3 library instruments have also been extensively tweaked to make them work better with Guitar to MIDI converters.
Even Harmonic’s Gtak costs €69 and is available now. More information on Even Harmonic Gtak.
RIAA Takes Another Shot To The Chin – The End Is Near
Tuesday, December 30th, 2008The Recording Industry Association of America (RIAA) has lost another round in their prolonged battle with Jammie Thomas, a 30-year-old woman from Minnesota. A federal judge has denied the RIAAs request for an appeal of an earlier decision to grant a retrial in its copyright infringement case against Thomas.
Prior, a jury found that Thomas had violated copyright laws by “making available” 1,700 songs via the Kazaa Peer-To-Peer (P2P) network. The jury commanded Jammie Thomas to fork over $220,000.
However, a few weeks later, U.S. District Judge Michael Davis, thought better of his jury instructions and tossed the verdict on the grounds that the act of making a copyrighted song available for sharing amounts to infringement. The concept of “making available” has thus been hotly debated since the original decision. Davis ordered a new trial, which is slated for March 2009.
Immediately the RIAA appealed the judge’s decision for a new trial, but that maneuver has been swatted away, which legal eagles believe is a serious setback for the RIAA since they feel the making available argument will go down in flames. Thomas is one of the only individuals to defend herself against copyright infringement charges levied by the RIAA, and has become a cult figure.
Since 2003, thousands of people sued by the RIAA have decided to settle for between $3000-5000 dollars. But Thomas, who has never wavered from her position of innocence has gone toe-to-toe with the trade association.
The Future: The fat lady is warming up her vocal cords. Although, the RIAA has finally decided to abandon their flawed litigation strategy, the upcoming beatdown in March, should they even go through with the case, will be their swan song.
PowerFX Releases HumBox VSTi Vocal Processor For PC
Tuesday, December 30th, 2008PowerFX has released the HumBox VM1, a VSTi sampler/synthesizer that combines vocal samples with powerful synthesis manipulating tools. The HumBox can be used for scat melodies, solo lines, non verbal backing vocals and original sound effects. The plug-in comes with 10 voice banks, 50 vocal style characteristics, an intuitive interface with volume and pitch envelope settings.
The HumBox is an alternative to high end multisampled vocal libraries because it uses vocal samples as a sound source for manipulation and humanized effects rather than layered multi-sampled voice patches.
PowerFX’s HumBox is PC only VSTi plug-in and is available as a download from PowerFX for $49. More information on PowerFX HumBox.
Angelis Labor Premiers $64,000 Gabriel Turntable
Monday, December 29th, 2008Angelis Labor is the latest company to trot out an uber-expensive turntable in the hopes that some moron will plunk down sixty-four large to impress one of his even more moronic friends.
The Gabriel will premier at the Consumer Electronics Show next month. Angelis claims the Gabriel is manufactured in an Italian Ferrari parts manufacturing factory, as if that alone makes it good. The Gabriel is unique in that it can be customized to house four individual tone arms and is suspended via magnets. It’s chassis is constructed by overlapping bronze over aluminum for superior conductivity.
Even if it was made of gold it would most likely be a huge rip off.
More information on the Gabriel at Angelis Labor’s cheesy website.
Ueberschall Debuts Ambient Works Collection – Liquid Sample Library
Monday, December 29th, 2008Ueberschall has debuted Ambient Works, a new sample library for film, commercials and documentaries. Ambient Works is for those who need to create and adapt complex atmospheres or laid-back music cuts. Be up-to-date with trends in commercial and movie post-production with these modern-classic sounds.
Ambient Works Features:
» Analog enriched Pads
» Stringed Timbres
» Organic Atmospheres
» Bells
» Nature
» Percussion
» 1.8GB, 780 Loops and Samples
Ueberschall’s Ambient Works comes in the AU/VST/RTAS and StandAlone flavors for Mac and PC, and uses the Liquid Player. It will set you back €99. More information on Ueberschall Ambient Works.
Audio Impressions Updates DVZ Strings To Version 2.0
Monday, December 29th, 2008Audio Impressions has updated their patented virtual instrument technology and high definition 70 piece DVZ Strings sample library to version 2.0.
Audio Impressions claims DVZ Strings 2.0 allows you to produce the real-world balance of live musicians in real time without loading or unloading different samples. It is organized into sections that translate directly to fully accurate MIDI mock-ups as well as immediately playable scores with correct parts that don’t need exhaustive manual correction and annotation for articulations.
Enhancements in the latest version include re-mastered Strings; microtonal scaling for world music, key-switching options, 3 Decca Tree room mic selections, individual stereo outputs for each string section and AudioPort – a high-quality digital audio over LAN process which links PC’s to Mac eliminating the need for costly sound-cards.
Future releases already in production will include DVZ Winds, Brass, Jazz Band, Guitars, Keyboards, and Pipe Organ, as well as Percussion and Drum Kit suites.
Audio Impressions’ DVZ Strings 2.0 will set you back $2499. More information on Audio Impressions DVZ Strings 2.0.
Michel Rouzic Releases Photosounder For PC
Monday, December 29th, 2008Michel Rouzic has released Photosounder 1.0, a synthesis program that turns images into sound and sound into images.
The interpreted sounds, once turned into images, can then be modified with effects to obtain dynamic results, while images can be manipulated to create otherworldly sounds.
Features:
» Analyzes sounds into images, and vice-versa
» Loads nearly all image formats
» Loads OGG and WAV sounds
» Can save the resulting sound from an image into a WAV file
» Features spray tools to edit the image-sound by hand
» Can adjust the frequency range, frequency scale, tempo (playback rate), gamma
» Can rotate and flip the image-sound
Michel Rouzic’s Photosounder is available now for Windows PC for €99. A demo version is available for evaluation. More information on Photosounder.
Ding Dong, The Witch Is Dead: RIAA Stops Mass Copyright Infringement Lawsuits
Friday, December 19th, 2008After vowing to plod on suing 12 year-old girls on welfare, dead people, cancer patients and college students, the Recording Industry Association Of America (RIAA) has decided to cease its idiotic legal campaign against Peer-To-Peer (P2P) file traders. The trade group, who faced a public relations nightmare from the very start of its aggressive legal strategy, has finally seen the light and will instead direct its efforts to “playing P2P Wack-A-Mole” (trying to kill off the latest Peer-To-Peer software and destinations) and lobbying lawmakers for an ISP tax.
Although the RIAA contends that the legal proceedings stemmed the tide of online file sharing, the reality is that more and more individuals are illegally obtaining copyrighted works throughout the world, and nothing the RIAA achieved made a difference. The announcement is a complete 180 degree about-face for the trade group. Many industry watchers came to the realization that the 20,000 to 30,000 legal proceedings became merely a new revenue stream for the industry since the average settlement for infringement was in the $3000 range. However, that may not be the case with the RIAA shuttering the entire endeavor.
The RIAA now plans to focus its attention on a “three-strike” plan its developing with Internet Service Providers (ISPs) based on a new strategy that is gaining traction in Europe. The trade group revealed that it has obtained preliminary agreements with several ISPs under which it will notify the provider when it uncovers a user performing illegal file-sharing. Based on the “three-strike” rule, the ISP will then ask the offender to cease their file-sharing activities. It will give them three chances, before cutting off their Internet service.
The RIAA declined to name the participating ISPs in the United States. FutureMusic believes that only one or two agreements have been cemented and that several ISPs have informed the RIAA that they are not willing to participate. The reason is that American ISPs don’t want to be in the business of policing their networks for illegal activity. Legally, it’s a slippery slope, and the ISPs don’t want to be in the Cop business.
As far as other initiatives, the RIAA is pursuing “blanket licenses” for colleges that would add $10-20 in “activity fees” to a student’s tuition. Some colleges have resisted this concept, but it certainly makes a lot of sense, and is relatively painless.
Speaking on a panel at the Copyright Society in New York, FutureMusic’s Dan Brotman revealed the obvious, “the reality is that there is very little that can be done to stop online file sharing. Once you take digitized content and place it on a network, it becomes free. It doesn’t matter how many 12 year-olds you sue, or how many new laws are created, it’s not going to stop. Once the industry comes to that realization, creative solutions will emerge.”
So what’s the solution? Brotman contends the only solution is going to be “a monetary mechanism that end-users don’t feel.”
“The best idea is an ISP tax, similar to the compulsory licensing concept that is placed on blank media…most end-users wouldn’t even notice the additional fees since they barely flinch at the exorbitant taxes and regulatory fees added to their cell phone bills every month. The government would collect the money and deliver it directly to the copyright holders. Unlike the RIAA, which is now involved in legal battles with bands who have yet to get their piece of the pie from successful copyright infringement lawsuits,” Brotman stated.
The RIAA’s new strategy eliminates one of the problematic aspects of their initial initiative, which involved filing lawsuits against ISPs and colleges to reveal the identities of file sharers. Now the RIAA would simply notify the ISPs with their “evidence” and let the ISP then pursue the matter.
However, the RIAA did state that it will not drop ongoing lawsuits and will still track down “heavy file-sharers.”
The Future: Too late. The RIAA has not only ruined their reputation with consumers, but then have also lost the majority of bands and artists who understand that the trade group is not pursuing their interests. Game Over.






