Archive for November, 2008

Black Friday Bank Account Buster: Moog Announces Taurus Bass Pedals

Friday, November 28th, 2008

Just when you thought Black Friday was supposed to be about cheap shopping, Moog Music has announced some uber-expensive, limited-edition Taurus Bass Pedals.

Moog pretty much does the exact opposite of the status quo, such as debuting products on April Fools Day, so unveiling a revamped version of their vintage Taurus Pedals at stratospheric prices should not floor anyone.

Features:
» 100% Analog Sound Engine based entirely on original TAURUS I circuits
» “Taurus I” style (one and half octaves on the floor)
» 2 VCO Oscillators, ADS Contour Generator, 1 VCF Filter, Output VCA
» PRESETS: 16 Banks x 4 presets = 48 Total Programmable Bass Sounds
» BANK 0 will contains the Original Taurus I Presets: VAR, TAURUS, TUBA, BASS
» MIDI: DIN and USB, Merging and Routing
» ARPEGGIATOR: MIDI Sync, TAP TEMPO, Internal
» CV Inputs: VOLUME, FILTER, PITCH, GATE

Moog is only producing 1000 of these pedals. And the first 250 customers will receive a discounted purchase price of $1695 with an initial deposit of $500. Regardless of quantity ordered, this offer ends February 15, 2009. All Taurus pedals ordered after the first 250 will sell for $1995.

Moog states: “Long requested by many of Moog’s very best customers and used by the likes of Rush, The Police, Genesis, Led Zeppelin, Phil Collins, Asia, Weezer, and many more. This is a one time opportunity to own a new set with a new warranty but one absolutely faithful to the original Taurus I sound.”

The new Moog Taurus bass pedals are expecting to ship next Christmas – Q4 2009. More information on the Moog Taurus Bass Pedals.

Samplebase Announces Three Indie Rock Construction Kits & Three New Sample Libraries

Friday, November 28th, 2008

Samplebase has unveiled three Indie Rock Construction Kits by producer Five Seven Five Music, which marks the beginning of a new “Rock” category on Samplebase. Dusk to Dust, Relevation, and Hana contain separate mixable elements such as drums and percussion, bass guitar, electric guitar, organ, piano, and “tron” loops that allow users to produce their own mixes.

The first few multis in each Constuction Kit contain three different pre-constructed mixes that ebb and flow to produce intros, outros, verses, and choruses, so users can start making music right away. There are additional multis that provide alternate parts for each instrument, which can be used to create extended remixes, or to spawn ideas for entirely new songs. As in many Samplebase SoundBlocks, effects can be controlled with the modulation wheel.

In addition, Samplebase has dropped Purusha Dharma – India Classical Male Voice a new collection of authentic Carnatic “Gayaki” vocals sung by Sampagodu S. Vighnaraja. Carnatic music is believed to be of divine origin in Indian culture, and gayaki, is one of two classical styles of Carnatic singing. These pure, authentic phrases are true enough for film scores and indigenous music, but they’re also perfect for hip hop, electronic, experimental, and world tracks. Using Satellite’s pitch shift and time stretch capabilities, along with pre-programmed modulation wheel effects and Quick Edit knob controls, users can easily manipulate these outstanding vocal phrases to match any tempo and style of music.

Another new offering, James Davis – House Guitar – 125BPM, is a funky, uptempo collection of guitar loops specifically designed for progressive house music and produced by session player James Davis. The first of three in a series, this collection focuses on the commonly used House tempo of 125 BPM (the series covers 125, 127, and 130 BPM) and contains a handful of variations for each riff, including some creative edits, chops and reverses. Customers also get a handful of pre-assigned effects that are specially designed to add more color and interest to the grooves. The mod wheel provides immediate control over a low pass filter which can be used for builds and transitions.

Lastly, VOCOLogic – Vocoded Vocal Grooves is a collection of rhythms produced with the human mouth, vocoded in a way never before presented. These vocoded grooves were created using a a variety of techniques. There are over 55 loops, as well as a bonus percussion set of 60 different single hits that can be used to program original grooves. These loops are perfect for a wide variety of uses and genres including hip-hop, electronic, film, and video games. They cover tempos of 100, 115, and 127 BPM in several keys. Tempo and key can be changed on the fly by using Satellite’s time stretch/pitch shift algorithm. Using the modulation wheel users can immediately add pre-programmed effects like tempo-synced panning, filter cutoff, delay, reverb, chorus, phaser, and bit crusher, or program their own effects.

More information on the new Samplebase Sample Libraries.

Amplifier Upstarts, Fractal Audio Systems & Atomic Amplifiers, Merge Companies

Thursday, November 27th, 2008

Atomic Amplifiers and Fractal Audio Systems have merged into one concern. The pairing unites two amplifier industry upstarts with highly complimentary products and skill sets.

The companies claim that Fractal’s peerless amp simulation and effects processing technology combined with Atomic’s established reputation for being the premier solution for amplifying amp modeling devices, sets the stage for truly exciting collaborations. Both brands will remain intact but will benefit from shared product development, engineering, sales, service, marketing, artist relations and distribution efforts.

New offerings will not be bound by one specific design philosophy. Regardless of whether the platform is tube, digital, solid state, hybrid or otherwise, Fractal and Atomic will work hard to earn the respect of guitarists, producers and musicians alike by creating quality gear that utilizes the technology that works best for the given application.

More information on the Fractal Audio Systems and Atomic Amplifiers merger.

AKG Unveils LC – Condenser Vocal Microphone

Wednesday, November 26th, 2008

AKG has unveiled the LC – Condenser Premium Vocal Microphone, a new offering designed for a wide range of applications ranging from vocals and live sound to recording and studio use. The Light Condenser Premium Vocal Microphone is an affordable condenser vocal microphone that AKG claims will produce solid performance through the loudest mix or on any stage. Its cardioid polar pattern ensures maximum gain before feedback and has been optimized for use with in-ear monitor systems. Custom-designed with piano black painting we want to address the aesthetic preferences of special performances with this slim line premium condenser microphone.

Features:
» Condenser vocal microphone for onstage use
» PB1000 Presence boost adapter for increased intelligibility
» XLR connector module with 24-carat gold plated pins
» 24-carat gold plated transducer case for optimum conductivity and resistance to corrosion
» Spring steel wire-mesh grill for protection and control of pops and wind noise
» Shock mount

The AKG LC features an XLR connector module with 24-carat gold plated pins for optimized connectivity, as well as resistance to corrosion and humidity. Additionally, the LC features a spring steel wire-mesh grill for protection and reliable control of pops and wind noise while an artist is on stage. The LC microphone features a claimed frequency range of 60 to 20,000 Hz.

Standard accessories are the PC 1000, which adds 3 to 5 dB of high-end enhancement between 5 and 9 kHz for improving clarity of each voice, a protective mic case and the SA 61 stand adapter.

No pricing or availability has been announced. More information on the AKG LC Condenser Premium Vocal Microphone.

Roland, M-Audio, Korg Reduce Workforce

Tuesday, November 25th, 2008

Today’s Top Story

Roland, M-Audio and Korg, some of the biggest manufacturing names in music gear, are downsizing amid the recent economic downturn.

Roland has reportedly cut 10% of their workforce with more cuts slated if sales don’t perk up in the next quarter. M-Audio has issued their second round of pink slips, and Korg is said to be consolidating several departments to reduce costs.

While the news is not a major surprise to industry watchers, it does come at a particularly bad time for axed employees who hoped that the holiday buying season would secure their jobs in the short term.

The restructuring could also see companies rushing products to market instead of traditionally debuting them during the NAMM “dog ‘n’ pony” show in January.

The economic downturn could have dire consequences for electronic music and DJ gear companies like Stanton, EKS and Numark who hoped that their new products would buoy their year end results. Stanton is in a good position with its new DaScratch MIDI DJ controller, a fun and dynamic controller that weighs in at an inviting $199 street price. Numark, who has pushed back the debut of their NS7 digital DJ system several times, is somewhat insulated by a wide product range. However, EKS has their marketing work cut out for them with the €649 OTUS controller which appears to contain alien technology that they managed to smuggle out of Roswell, New Mexico.

Remix Magazine Bites The Dust

Tuesday, November 25th, 2008

Remix Magazine, a publication focused on electronic music and culture, has announced that it is ceasing publication in 2009. The magazines last issue will be January, slated to hit shelves sometime in late 2008.

The publication claims that it will still operate its website and conduct it’s Remix Hotel showcases. However, most industry insiders can’t see those initiatives lasting through 2009, especially since the Remix Hotel hasn’t upgraded its “cookie-cutter” format since its inception. In addition, the announcement isn’t much of a surprise to subscribers who have noticed a significant reduction in the editorial and a “thinning” of the magazine since the beginning of the year.

Kylee Swensen, the magazine’s editor, cited the global economic meltdown as the main reason for the magazine’s demise, “the economy got me. I knew it was coming these last six months, and Remix, the print magazine, is no longer.” However, with the sheer amount of new technology being debuted on a monthly basis, its obvious that Penton Media, the magazine’s publisher, understood that Remix’s best days were behind them.

EKS Now Shipping New OTUS DJ Controller

Monday, November 24th, 2008

EKS has revealed to FutureMusic that they are now shipping their new OTUS DJ MIDI controller. The futuristic OTUS captured the imagination of many digital DJs and controllerists around the world when it was first introduced earlier this year.

Main Features:
» The 7.5″ jog wheel offers both physical and virtual sensitivity adjustments.
» Otus has been designed to substantially reduced vibrations due to its unique sharp cloves feet.
» All of the controls are illuminated by LED indicators for maximum usability in a club environment.
» Advanced MIDI mapper & ASIO software makes creating different setups easy
» The smoked glass surface along with the feet of the controller can be customized
» The Future Proof Ideology of the control layout allows the use of future software features. Assignable buttons, knobs, push-and-rotate selectors and capacitive touchpad enable advanced creative freedom, while the relative touch sensitive slider allows very accurate pitch adjustments.
» All of the controls can be virtually doubled via a color indicated layer selection switch or shift button. The second layer, indicated by LED color changes, offers the option to control two virtual decks with one Otus or even other software like MIDI controllable VJ software.
» A professional level audio/headphone output

Technical Specs:
» Compatibility
— ASIO
— Core Audio
— Compatible with any software that supports MIDI learn
— USB 2.0 / USB 1.1
— Win/OSx/Linux
» Controls
— High resolution 7.5″ wheel with touch sense (position/speed LED indicated)
— 2 Near Field Motion sensors
— 4 jog dial type controls with switch
— 17 low travel buttons
— 6 touch buttons
— 10 assignable control knobs
— Built-in touchpad/assignable X/Y control surface for mouse or effect control
— 80mm touch sensitive pitch slider, with position LEDs
— All controls LED backlit
» Audio interface
— Integrated 24-bit, 4 channel audio interface
— 16bit / 24bit, 44.1kHz / 48kHz
— Frequency response 4Hz-24kHz
— SNR >115dB JEITA (a-weighted)
— THD+N 0,002%
— 2 x Burr-Brown I2S DAC
— 2.5V RMS (7Vpp)
» Connectors
— USB
— 4 x analog out RCA (two stereo outputs)
— 2 x out (spdif)
— 6.3mm headphone output
» Dimensions
— 365mm x 335mm x 70mm
— Weight
— 1.5 kg
» USB powered (450mA)

The EKS OTUS costs €649. Learn more about the EKS OTUS MIDI DJ Controller. Buy an OTUS.

Numark Releases PRO SMX DJ Battle Mixer

Friday, November 21st, 2008

Numark has released the PRO SMX, a new DJ battle mixer based on the specifications and input of the French DMC champion DJ team, Birdy Nam Nam. PRO SMX features a 100% analog audio path to preserve the natural warmth of vinyl.

Features:
» Fully analog audio signal path with no A-D or D-A conversion
» PRO X FADE crossfader has adjustable end points and torque
» Pre/Post effects send and return
» Three inputs per channel including balanced 1/4″
» Three-band EQ per channel, switchable between +/-12 dB (EQ) and +12/-INF dB (kill)
» Crossfader and line fader-reverse switches
» Adjustable fader slope for each side of the crossfader and each line fader
» XLR and RCA master outputs
» Session input with volume control
» Gold-plated rear connectors
» Metal construction

The build quality of PRO SMX is highlighted by its rugged, metal construction, including a heavy gauge faceplate that is completely devoid of screws. The physical height of PRO SMX is optimized for use next to professional turntables.

A PRO X FADE crossfader employs conductive-polymer technology for long life and low wear. The VCA fader offers adjustable cut-in points, adjustable resistance and reverse, enabling DJs to customize the feel and function of the PRO X FADE in PRO SMX.

Gold-plated rear-panel connectors ensure solid cable connections, and XLR master outputs deliver a balanced signal. An entirely analog signal running through quality componentry results in high audio quality. Three inputs per channel, including balanced 1/4-inch inputs, permit connection of drum machines, samplers and other musical instruments with reliable signal transmission. An auxiliary Session input with volume control allows mixers to be daisy-chained for a collaborative scratch session.

A three-band EQ section is available on each channel, and is switchable between ±12 dB for traditional EQing or +12/-INF dB for use as frequency kills. A newly developed effects loop enables use of any external effects unit. Its intelligent circuitry senses the presence of signal and routes audio appropriately to eliminate sonic degradation resulting from phase cancellation.

Numark’s PRO SMX is available now for $799. More information on the Numark PRO SMX DJ mixer.

SM Pro Releases V-Machine – VST Hardware Player

Thursday, November 20th, 2008

SM Pro Audio is now shipping their V-Machine VST player, a compact VST/VSTi hardware playback module designed to take plug-ins on the road or into the studio and access them directly without a computer.

Features:
» External hardware host for Windows plugins (VST instruments and effects)
» Banks, presets (incl. chaining, layering, splitting) can be edited with the V-Machine or the host software
» Create synth layers and chain them with effects
» Connect nearly every MIDI-Controller to the V-Machine
» Multiple VSTi’s can be combined
» MIDI learn functions included
» All effect and synth chains can be switched latency free
» USB-Ports for external peripherals
» Use software samplers and stream its content from any USB drive
» sensor to adjust the display’s contrast automatically

Multiple plug-ins can be loaded into bank/preset memories of the V-Machine for immediate access and combined into chains, splits, and layers to create extremely rich and unique sounds. Full external MIDI controller support allows users access to available loaded plug-in parameter controls such as virtual dials, switches, and faders.

The V-Machine houses a host of connections in a sturdy metal chassis to hold up to the rigors of the road. Audio is handled by stereo inputs and outputs and a headphone output with dedicated volume control. Three USB connections handle computer transfers of VST applications, streaming of sample content from external hard drives, connection of USB controllers, and copy protection dongles. A MIDI-in jack is also included for the connection of standard MIDI controllers.

The SM Pro Audio V-Machine will ship with control configuration software compatible with Windows and Mac OS X as well as IK Multimedia’s Sample Tank SE and a set of sound samples. Users can load up their favorite VST/VSTi plug-ins on their computer for auditioning, sound-set creation, and bank/preset memory assignment prior to transferring to the V-Machine for stand-alone use. Transferring plug-ins to the V-Machine via USB transfer takes care of all required user data and program memories. Once in the main unit, users have instant access to all instrument and effects for the stage or studio with great audio performance, hardware stability, ease of operation, and portability.

SM Pro’s V-Machine is available now for $599. More information on SM Pro V-Machine.

Propellerhead Releases Pascal Gabriel Melophobia Machine Refill Pack

Thursday, November 20th, 2008

Propellerhead has announced the Creator Series: Pascal Gabriel’s Melophobia Machine ReFill. The Melophobia Machine ReFill for Reason version 4 opens the lid of Pascal Gabriel’s sonic treasure chest—a mass of highly useful, production-ready loops, samples and instruments for songwriters and producers looking to add those unexpected elements that can turn a bland track into a masterpiece.

The ReFill library gives users a chance to add unique material from actual Pascal productions. Drum kits, guitar loops, effect patches, sampled keyboards, bass patches, FX loops; it’s all there. With a sonic palette ranging from unpolished to outrageous, the Melophobia Machine ReFill is perfect for adding color to any production.

Pascal Gabriel’s Melophobia Machine is available now for $49 / €49 as a download from the Propellerhead online shop. More information on the Propellerhead Pascal Gabriel Melophobia Machine.