Archive for October, 2008

Happy Halloween!

Friday, October 31st, 2008

Sugar-Bytes Announces Consequence – Synquencer For Mac & PC

Friday, October 31st, 2008

Sugar-Bytes have announced the Consequence Synquencer, a new product that the German concern calls a “chord groovebox.” The innovative company often takes two music concepts and fuses then together for a dynamic new product that pushes the envelop and Consequence appears no different.

Here’s how they describe the “flavor” of Consequence:

Chords are alternated, split up to custom arpeggios and turned into leg-driving basslines, amazing melodies or dreamy sound textures. The internal audio recorder keeps your ideas when they come or records loops or even full tracks. The sound library contains all possible kinds of instruments, from thick basslines to gentle violines. Combine these with individual triggering options for unheard sequences full of joy and groove! Combine sound-presets and sequencer-presets, an unlimited source of inspiration. Consequence is a composition tool which can create chordlines or whole songs on the fly, but also chords which are played via MIDI can be supersized using the innovative sequencing engine.

Now we know that this description doesn’t convey specifics, but Sugar-Bytes does have a good track record, so we’re going to cut them some slack…

Features:
» 3 sample-based oscillators with independent envelopes and gate selection for overlaying chords with arpeggios.
» 32-step sequencers for chord selection, gate, performance (arp, tie, multi-trigger, octave, glide) and modulation.
» New sound design features like polyphonic frequency-dependent sample rate reduction and oscillator aging.
» Included kick 4/4 kick drum for easy groove orientation.
» Multi-effect with 5 effects (reverse, chorus, phaser, delay, reverb).
» Master compressor (can be driven by 4/4 kick via sidechain).
» Monophonic and polyphonic 5-mode filter (lp, bp, hp, br, comp) with independent gate selection.
» Pattern change via MIDI note.
» MIDI input for sequencing chords in realtime.
» Easy chord creation via chordmaker, chord-recording and manual chord drawing.
» Audio recorder for session recording or for creating loops.
» Sound Library
» Split preset system can combine sound-, sequence- and chord-presets.

Sugar-Bytes Consequence costs €149 and will be released sometime in November 2008. It will be available for Windows and Mac OS X in VST and AU plug-in flavors. More information Sugar-Bytes Consequence.

JBL Professional Unveils EON500 Portable Loudspeakers Series

Friday, October 31st, 2008

JBL has unveiled the new EON500 series of powered and lightweight portable speakers. When JBL decided to update their popular portables, they enlisted longtime design partner RKS, a Southern California-based consultancy.

The resulting design is a departure from the original EON. The full, foam-backed, perforated metal grill provides an added measure of protection to internal components, while offering a clean, uncluttered look to the entire line. The speaker’s shape, like the EON’s power, projects from the rear of the speaker where the amp is housed. To minimize abuse to the speakers and users alike, the design team removed all the hard edges and corners.

The EON500 series includes three lightweight compact models that each feature an on-board mini-mixer with loop-thru or mix-out capability. The EON515 puts out 450 watts of power, yet weighs 33 lbs. The new EON features three handles: one on the top and one on each side with a soft comfort-grip.

More information on the new JBL EON500 Series.

Amidio Releases Noise.io – New Synth For iPhone & iPod Touch

Friday, October 31st, 2008

Amidio, Inc. has released Noise.io, a full-featured sound synthesizer for the iPhone and iPod Touch. Noise.io is capable of creating all kinds of melodic sequences, basses, leads, keys, bells, percussive sounds and sound effects.

Noise.io makes it possible to create 303-like acid basslines or any other melodies using the built-in sequencer, or jamming live in sync with the rhythm using the TapBPM feature. Extensive sound control possibilities are implemented – fingersliding, multitouch, accelerometer, velocity-sensitive dual keyboard and a modulation matrix.

Nine factory preset banks are included: Azure Leads, Warping Basslines, Infinite Keys, Distant Bells, Touch the Bass, Strange Places, Klang Percussive, FX Pack 1, totalling in 81 presets. Noise.io utilizes an original synth technology called ESFM and features 3 generators, 2 filters, 3 LFO, 3 sequencers, 6 effects, unlimited presets, extensive user support and much more.

Users are able to instantly share their banks with the community utilizing the on-line preset repository at the company’s website.

Amidio’s Noise.io is available now in the iTunes App Store for the introductory price of $9.99. More information on Amidio Noise.io.

MTV Games & Harmonix Partner On Beatles Video Game

Friday, October 31st, 2008

MTV Games and Harmonix, the creators of the popular Rock Band videogame are partnering with the surviving members of the Beatles to develop “an unprecedented, experiential progression through the Beatles’ music.” This will not be a Rock Band like game, but a new format that will let gamers pretend to be the British rock pioneers.

MTV Games didn’t reveal details of the Beatles game but Sir Paul McCartney said in a release, “the project is a fun idea which broadens the appeal of The Beatles and their music where people will have the opportunity to get to know the music from the inside out.”

From the statement, it appears that the game may have some remixing, or rearranging elements, which could all gamers to interact with the iconic music in new millennium fashion.

The concept for the videogame was honed with input from McCartney and Starr as well as from Yoko Ono and Olivia Harrison, the widows of John Lennon and George Harrison. “It’s cool,” said Yoko Ono. “I love it and hope it will keep inspiring and encouraging the young generation for many decades.”

The videogame is the band’s long-awaited debut in the Internet Age because the surviving Beatles and their multimedia company have long resisted selling their music online in digital formats out of piracy concerns.

iKlax Releases Creator Pro Mixing Software For Mac & PC

Friday, October 31st, 2008

iKlax, a slippery French concern, just sent us a press release revolving around a new product they’re launched dubbed, iKlax Creator Pro. As per their normal public communications, the release contains very little information about the product, and more about things which makes their mental stability suspect.

Here’s the title:
iKlax Creator Pro Set To Be At The Forefront of Audio Mixing Software’s Next Generation

Now that’s some serious chest-pounding, even for a French chap. Apparently, iKlax claims that their new Creator Pro is “the first professional multitrack and interactive music creation software.” Using the word “interactive” to describe music creation is not the most descriptive term, since what music creation tool isn’t interactive?

Now here’s a real gem: Owen Lagadec, the company’s CEO explains: “When we launched the lite version of iKlax Creator in March, for musicians to test the iKlax software, we weren’t sure what would come out of it. Six months later, the software has been downloaded over 7,000 times, a feat for music software!” Hate to tell you this Mr. Lagadec, but 7000 downloads of free software in eight months is no big “feat.” In fact, my sister could give away 7000 glasses of Lemonade at a corner stand if she gave it away for over 8 months.

Mr. Lagadec yammers on about other abstract notions that don’t translate well. So we’ll spare you. But here’s some features:

Features:
» The ability to import multi-format stem tracks without decompressing (wave, aiff, mp3, ogg vorbis,): the tracks remain in their original format throughout the mixing process.
» The first multi-format drag & drop virtual mixing table: the drag & drop system allows the creator to add stem tracks to the virtual mixing table, on the fly.
» The unlimited creation of mixes (iKmix) for every single file.
» The mixing and selection constraints setting
» The export of the file in the multitrack & interactive iKlax format, or in mp3, ogg vorbis and wave.

Now here’s the Kicker:
Laurent Primaux, Captain of R&D at iKlax declares: “For instance, you can create mixing rules allowing stem tracks’ volumes to be linked. Therefore, when a user moves a volume slide bar, the other volume slide bars will also move while retaining the same relation. This has never been done before.” Sorry to burst your croissant Primaux, but it actually has…

iKlax Creator Pro costs €269, is available now and comes in two flavors: electronic download or boxed. “More” information on iKlax Creator Pro.

Edifier Premiers S2000V Desktop Speakers

Thursday, October 30th, 2008

Edifier International, a Canadian concern, has launched the S2000V, a new desktop speaker with a total power output of 80 Watts RMS and a newly developed 5.5″ subwoofer with a HSCC (high strength cotton composite) cone designed to deliver impressive bass and mid range performance.

Created by loudspeaker designer Phil Jones, the S2000V is finished in black piano lacquer. The speakers also include a stylish aluminum volume controller.

No availability or pricing has been announced for North America. More information on Edifier.

Yamaha Hyping Tyros3 Arranger Workstation For NAMM 2009 Debut

Thursday, October 30th, 2008

Yamaha, in one of the earliest NAMM pimp jobs to date, is hyping their new Tyros3 Arranger Workstation keyboard. They claim playing it is like controlling a virtuoso musician who happens to play hundreds of instruments.

Equipped with the most advanced instrument voices that Yamaha has ever created, Tyros3 lets players simulate subtle sonic nuances and performance techniques associated with wind instruments, like legato, staccato and vibrato. Special Articulation Control buttons add pitch bend and glissando to note-on and note-off events. Yamaha dubs this technology, Super Articulation 2. Other voices are “borrowed” from Yamaha’s flagship Motif synthesizer and a new guitar voicing algorithm rounds out the sonic offerings.

Almost every aspect of the computer-compatible Tyros3 has been redesigned and upgraded, from the sounds to the layout of the controls to the addition of faders and a TFT 7.5-inch VGA color screen. The Tyros3 now features organ sounds that replicate vintage tone-wheel organs with rotary speakers, and the new three-layer piano voice, drawn from a CFIIIs Concert Grand Piano, derives from the CVP Series of Clavinova digital pianos. Tyros3 can even recreate the sound of an acoustic piano with the top open or closed.

Super Articulation 2, created with Articulation Element Modeling, is capable of reproducing natural legato and staccato expression, vibrato, pitch bend and glistening glissando passages. The feature builds on Yamaha’s MegaVoice technology, which added an element of humanistic playing techniques to recorded instrument samples. For the guitar, these include muted string sounds, finger slides, fret noises and harmonics. Wind instrument voices include the ability to add strategically placed breaths that sound like a person is performing, from passages played on clarinets and saxophones to the bent notes of a harmonica.

The board can also perform 450 musical styles with authentic corresponding sounds that blend into a backup band. With the One Touch Setting function, the Tyros3 delivers a arrangement with appropriate voices and effects just by pressing a button. The one-button Registration Memory option lets users easily recall favorite settings. Song Creator also helps orchestrate and arrange songs with the help of a 16-track sequencer.

Other features include a touch sensitive keyboard and studio-quality DSP effects like reverb, distortion and chorus along with the ability to perform one-touch recording onto the hard-disk recorder.

A USB port, conveniently located on the keyboard’s front panel, facilitates easy computer connectivity for transferring song data from the Tyros3’s 3.2 MB internal flash storage. The LAN port connects to Yamaha’s online music portals, Internet Direct Connection, Yamaha MusicSoft and Digital Music Notebook. Users can download different song styles, instrument voices and upgrades to the Tyros3, along with sheet music, song books and software.

No official pricing or availability has been announced. More information on the Yamaha Tyros3 Arranger Workstation.

Screaming Bee Releases MorphVOX Effects Rack Plug-In For Windows

Thursday, October 30th, 2008

Screaming Bee, not to be confused with Whining Fly, has released the MorphVOX Effects Rack Plug-in, a add-on for their MorphVOX Pro Voice Changer.

MorphVOX Pro gives you the ability to modify and tweak a voice with the thousands of free and professional VST modules available on the market. The MorphVOX Effects Rack also provides you with a highly-configurable workspace for arranging VST effects and integrating them into MorphVOX Pro.

Beyond the basic VST effects that come with the installation, you can download many more VST modules from 3rd parties. These modules not only modify your voice, but also can provide noise reduction, environmental and ambient effects, signal analysis, and more.

MorphVOX Effects Rack has an intuitive interface so you can easily create and navigate a sophisticated audio pipeline with multiple VST modules. You can see a clear map of your VST Effects and quickly configure the audio stream in MorphVOX Pro, creating unique voices to meet your needs.

This allows you to use any VST effect for real-time morphing when talking on VoIP or recording to a file. Add the Effects Rack plug-in to MorphVOX Pro and expand your voice modification possibilities.

Screaming Bee’s MorphVOX Effects Rack plug-in costs $19.95 and requires MorphVOX Pro software version 4.1 or higher to run on a PC. More information on Screaming Bee MorphVOX Effects Rack plug-in.

Sony BMG Loses $57 Million During Second Quarter 2008

Thursday, October 30th, 2008

Sony BMG has recorded losses of $57 million during the recent, fiscal second quarter. The figure shows a major decline from the same period last year, which logged in at $8 million. Revenues at the label group dropped 11% to $762 million for the period ending September 30th.

The free fall was blamed on “the continued decline in the worldwide physical music market,” which is “not being offset by growth in digital product sales.”