Archive for January, 2007

Xponaut Updates Voice Tweaker To Version 4.1

Wednesday, January 31st, 2007

Xponaut has updated Voice Tweaker to version 4.1. Voice Tweaker is what Xponaut calls a “natural sounding pitch shifter and auto tune plug-in.” With this new version of Voice Tweaker you can pan the processed and unprocessed signals individually, and utilize the new Wave Hold parameter for spectacular effects. Also, it has a completely redone user interface with a more logical and clean disposition of parameters.


For those new to Voice Tweaker, it is a VST and AU plug-in pitch shifter with the ability to transpose the pitch of a monophonic signal (a voice or an instrument) up to 2 octaves, up or down. No chipmunk or monster voices, unless you want to of course, because Voice Tweaker can also transpose the formant of the signal an equal amount of 2 octaves up or down. Add to this a full fledged pitch correction(auto tune) section with MIDI control, advanced modulation matrix, vibrato and you have a very versatile tool at your finger tips.

Xponaut’s Voice Tweaker costs $99 / €77 and is available now. The update is free. More information on the Xponaut Voice Tweaker.

Skullcandy Releases Mark Frank Montoya MP3 Player / DJ Headphones

Wednesday, January 31st, 2007

First off, we’re not too sure about Skullcandy as a company, so we warn you that the following product may or may not be actually available. The info on Skullcandy’s website is dodgy, and no one from the organization has returned our communications.

That said, the Mark Frank Montoya MP3 Player / DJ Headphones are pretty dope if you’re a music-lovin’ snowboarder like MFM. Mark rides for Nitro and has an Xtra Large personality.

According to SKullcandy, the Mark Frank Montoya MP3 Integrated Player Headphone is the closest thing to injecting your music directly into your skull. (Which they think is a good thing –Ed.) For the first time ever, Skullcandy introduces a DJ style headset with a built-in, detachable 512MB MP3 player. Listen to your music wirelessly through 40mm power drivers, or pull the player, slide on the battery pack, and transform it into a mini portable MP3 player for use with any headset. This is a very cool concept and has been done before with other headphones, but none with the DJ vibe.


Features:
• 40mm power driver
• DJ style headset with 90 degree swivel earcups
• Auxiliary audio jack with detachable connection cable
• Built-in detachable MP3 player with direct USB upload/download
• Optional battery pack instantly turns the built-in MP3 into a portable MP3
• 512MB Flash memory for music or data
• LCD display with backlight

This is the actual copy from Skullcandy’s website:
Out of stock till Feb. 1th 2007
Mark Frank Montoya MP3 Integrated Heaphones 512mb
Product avalable early January.

So is it early January 2008? Or tomorrow, or what?? We don’t think they even know…

The Skullcandy Mark Frank Montoya MP3 Player / DJ Headphones cost $229.95 if they actually exist. More information ont the Skullcandy Mark Frank Montoya MP3 Player / DJ Headphones.

EMI Inks Deal With Thumbplay For Ringtones

Wednesday, January 31st, 2007

Thumbplay, an online retailer of mobile content has cemented a deal with EMI Music to sell ringtones from EMI’s current roster of artists, and their vast catalog, which includes labels Astralwerks, Blue Note, Capitol, Virgin and others. Consumers can purchase content through both subscription and a la carte options, downloaded over the air directly to the customer’s mobile, and billed directly to the consumer’s carrier bill for a seamless transaction.

More information about Thumbplay.

Defective Records Releases Major Malfunction – Distortion Plug-In For Ableton’s Live

Wednesday, January 31st, 2007

Defective Records has released Major Malfunction, a new Ableton Live distortion plug-in that allows you to easily mangle, glitch, slice and dice your audio stream, in either subtle or extreme ways. Major Malfunction syncs itself to the Ableton Live tempo automatically, and processes the incoming audio in a number of different user-specified ways, or even randomly selected ways. It was created in Cycling ‘74 Pluggo by Dan Nigrin, a strapping lad who likes to FSU.


Features:
• Realtime VST/AU plugin effect
• Global volume and dry/wet mix parameters
• Almost every parameter can be automated and controlled via MIDI
• 6 different DSP effects, including “pass through” available to choose from
• Each DSP effect has 4 preset slots, individual volume and stereo pan controls
• 8 different 64 step patterns can be stored in preset slots, and saved to disk

Defective Records’ Major Malfunction costs $10 and is available now for Mac OS X. A free demo is also available. More information on Defective Records Major Malfunction.

Several Independent Labels Send Cease & Desist Letters To YouTube

Wednesday, January 31st, 2007

Discussions between YouTube and Merlin, a new trade organization that represents the digital interests of Indie labels, broke down last week. The talks were about direct payments to independent labels for non-authorized music used on the site.

Starting at the beginning of the week, several labels have sent Cease and Desist orders with lists of videos on YouTube that are illegally using their songs. YouTube has not responded publicly to the court filings.

Sony BMG Settles With FTC Over Rootkit Fiasco

Wednesday, January 31st, 2007

Sony BMG has settled with the Federal Trade Commission (FTC) over their rootkit-based anti-piracy scheme which backfired when it did not properly notify users that when they put the CDs into their computer it would install “spyware.” The non-authorized software not only allowed hackers easy access to their computers, but also sent their personal data to Sony’s servers.

The FTC won a number of concessions from the major label, although Sony BMG did not admit any wrongdoing. They didn’t do anything wrong, but they did agree to exchange CDs containing the spyware for CDs that didn’t have the rookit system. Sony BMG also agreed to compensate consumers for damages of up to $150, and refrain from using any consumer data obtained from the spyware. Additionally, the company agreed to clearly inform consumers of any future software protections or data-gathering initiatives. “We’re pleased to have reached this agreement with the FTC,” Sony BMG stated in a press release.

The Future: This is just a slap on the wrist to Sony BMG, and the FTC should have taken the label out back and beat them with a stick. The exectutive who “green lighted” this idiotic technology should also be tar and feathered. The biggest problem for the industry is that because of Sony’s stupidity, the industry will be very, very nervous about incorporating any type of CD-based, anti-piracy protections in the future.

Reloop Announces Limited Edition RP-6000 MK 6 Turntable

Wednesday, January 31st, 2007

Reloop has released a special limited edition of their RP-6000 MK 6 professional turntable. The Limited has a new ceramic white varnish finish and white control panel housed in a heavy-duty chassis. Its integrated equalizing pre-amp facilitates Line or Phono signal output, making this luxury turntable compatible with any mixing console and amplifier without having to be grounded. It also has a unique, adjustable torque which can be set in any range between 2.5 and 4.5 kg/cm.


Specs:
• Model: 3 speeds, fully manual
• Drive: Quartz-controlled UPPER TORQUE direct drive
• Speed: 33 1/3, 45 and 78 rpm
• Start-up torque: 2500 – 4500 g/cm
• Dimensions: 450 x 160 x 353 mm
• Weight: 11.0 kg
• Comes with slipmat, headshell and pickup arm illumination

Features:
• Quartz-controlled DJ turntable with UPPER TORQUE direct drive
• Adjustable start-up torque (2.5 kg/cm – 4.5 kg/cm)
• Fine ceramic white finish
• Phono and Line output (no grounding necessary)
• Direct hook-up of turntable and motor for maximum stability
• Adjustable start/stop speed (0.2 – 6 sec.)
• Brushed aluminium finish – Metal casing
• Extra heavy design
• Height-adjustable S-shaped pickup arm with anti-skating
• Pitch range +/- 10%, +/-20% & +/- 50%
• Easy-to-exchange freely revolving stylus illumination with super bright LED
• Quartz lock
• Safety mains switch
• Forward and reverse motion switch
• Additional start/stop button for vertical installation
• Rubber ply to reduce vibration and ambient noise
• Detachable mains and cinch cable
• Immersed connection cavity for easy case installation
• Shock-absorbing feet

More information on the RP-6000 MK 6.

eJamming Announces AUDiiO – New Audio Collaboration Technology

Wednesday, January 31st, 2007

eJamming has unveiled AUDiiO, the first technology to enable any musician, acoustic or electronic, to jam with others in real-time over the net. The new software and service will be available in late March 2007. eJamming AUDiiO takes the company’s current MIDI-only offering, eJamming Studio 1.6, to a whole new level, opening real time online collaboration to all musicians.


eJamming AUDiiO provides a virtual practice and recording studio where musicians can write, rehearse, record, learn and play with each other over the Internet, in real time and in sync. All they need is access to a computer, broadband connection, audio interface device and microphone.

eJamming AUDiiO incorporates sophisticated, patent-pending algorithms, effectively resolving the delays associated with transmitting data over the Internet that have prevented real-time online music collaboration in the past. Using proprietary codecs and data-thinning schemes in tandem with eJamming’s patented Internet delay management algorithms, eJamming AUDiiO achieves real-time synchrony among musicians in different locations. It enables musicians to keep solid time, which is imperative for musical performance.

eJamming AUDiiO includes a host of features designed to enhance the online collaborative experience such as CD-quality recording capability, searchable profiles that allow musicians to identify others with like interests, JamVite instant messaging so musicians can invite one another to jam, an automated calendar for scheduling online jam sessions, and full MIDI capability. The user interface is clean, contemporary, player-centric and easy to use.

A demonstration video of eJamming AUDiiO in action is now available online. Subscriptions to eJamming AUDiiO will cost $14.95 per month or $150 annually. Teachers and students are eligible for the $120 annual academic discount rate. More information on eJamming AUDiiO.

EastWest Unveils Quantum Leap Pianos Sample Library

Tuesday, January 30th, 2007

EastWest has introduced Quantum Leap Pianos, a new library that was recorded with three user controllable microphone positions for each piano.

Every sample was recorded in a proper piano environment with vintage Neumann microphones, a vintage Neve 8078 console, and Meitner analog-to-digital converters. More than half a million dollars’ worth of pianos are included in this collection, including a $225,000 Bechstein D-280 Concert Grand, the same kind of piano engineer/producer Ken Scott used to record Elton John, David Bowie, and Supertramp. EastWest invited Scott to engineer the Bechstein’s close-mic’d recordings to provide users with a cutting, dynamic pop/rock piano sound, in addition to the variety of other piano sounds included in the collection. Other pianos featured in the library include a Steinway D Concert Grand, a Bösendorfer 290 Concert Grand, and a Yamaha C7.

The Quantum Leap Pianos library is packed with 270 GB of content at 24-bit/44.1k resolution, the largest and most detailed piano collection ever created. Using lossless compression, the instruments, if all installed, use 140 GB of hard disk space. The sample management system offers 50 percent more efficiency compared to other piano collections.

Users can install one, two, three or all four pianos on their computer’s hard drive. Three microphone positions are included per piano for maximum flexibility. Ten to 16 velocities are offered per note (and again in soft pedal, sustain pedal, and soft sustain) and every piano offers 16 distinct staccato velocities.

Repetition samples are taken from 180 BPM performances for a true repetition sound and are not simply an alternate take. The software detects true repetitions. Pedal resonance was recorded for every note at multiple velocities, as well as with the soft pedal down. Proprietary resonance was captured on the Bösendorfer. True multi-velocity soft pedal samples with and without sustain pedal are also included, as well as release samples with software envelope follower.

Articulations on each piano include: sustain; sustain pedal; soft pedal; soft pedal with sustain pedal; repetitions; repetitions with sustain pedal; staccato; pedal resonance; and release trails. Additional features include: stereo swap possible in software; mic position mixing in software; lid position simulation; articulation matrix for quick and straightforward loading; powerful streaming engine with (reportedly) the “highest polyphony counts”; and superior reverb impulses recorded by Prof. Keith O. Johnson and Nick Phoenix.

EastWest’s Quantum Leap Pianos costs $495 and will be available at the end of March 2007. More information on EastWest Quantum Leap Pianos.

Community Launches Sonus Loudspeakers

Tuesday, January 30th, 2007

Community has launched Sonus, the company’s new line of portable, linear-response loudspeaker systems. Sonus comprises four full-range models and two subwoofers. All feature low distortion, high-impact sonic capability, ease of transport, and durable construction to withstand the rigors of the road.


Sonus’ full-range models include the S1296, S1596, S3294 and S3594. The two subwoofers offer a choice of dual 15-inch or dual 18-inch high-power cone drivers. Both models feature a high-pass output for seamless integration with the full-range systems. All models in the line include Community’s Dyna-Tech active protection circuitry, which uses the power of the amplifier to drive a 3-stage active limiter.

More information on the new Community Sonus Loudspeakers.